Articles

  • 2 weeks ago | thefilmstage.com | Caleb Hammond

    George Fahmy (Fares Fares) is an A-list movie star of the highest order, something Eagles of the Republic establishes at the jump. We open on him with a beautiful woman in a convertible on a soundstage, wrapping a glamorous film shoot. He turns down a call from his son, instructing his assistant to instead rush out and buy him a luxury Breitling Navitimer watch for his birthday.

  • 1 month ago | filmmakermagazine.com | Caleb Hammond

    Back to selection A Cine Cintel workshop on dollies at this year's NAB Show.

  • 2 months ago | thefilmstage.com | Caleb Hammond

    After co-directing 2015’s Anomalisa with Charlie Kaufman, Duke Johnson’s solo follow-up is an adaptation of the Donald E. Westlake’s novel Memory. Paul Cole (André Holland) is the eponymous actor––or so people tell him is his occupation after he wakes up in small-town Ohio with a mysterious head injury and zero memories. There’s a beautiful woman, Edna (Gemma Chan), and a small cast of characters who may or may not have Paul’s best interests at heart.

  • 2 months ago | filmmakermagazine.com | Caleb Hammond

    Back to selection by Caleb Hammond in Directors, Interviews, Screenwriters on Mar 11, 2025 Bruno Dumont, The Empire With The Empire, French filmmaker Bruno Dumont’s career is now evenly split between two modes. His first seven films operated within an identifiably Bressonian tradition, while the five films and two mini-series following operate in a more comic, slapstick register.

  • Feb 20, 2025 | filmmakermagazine.com | Caleb Hammond

    Back to selection A Slamdance 2024 audience (Photo: Lauren Desberg) by Caleb Hammond in Festivals & Events on Feb 20, 2025 Slamdance Los Angeles is a city in constant renewal. When the Arclight Cinemas closed during COVID in 2021, the initial despair was lessened as a host of repertory options sprang up in its aftermath, including Quentin Tarantino’s revamped Vista Theatre, the Academy Museum and Micah Gottlieb’s Mezzanine series.

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