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Jan 14, 2025 | 
filmink.com.au | Cara Nash
By Erin FreeFilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: producer and mini-mogul Earl Owensby, who produced and starred in Death Driver, Dark Sunday, and Buckstone County Prison. In the Unsung Auteurs column, we have spoken a few times about the concept of “quality”, and the argument that a filmmaker can only be classified as an auteur if they produce artful, meaningful, high-tone, deeply personal work.
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Jan 8, 2025 | 
filmink.com.au | Cara Nash
Enjoy the music of master film composer Hans Zimmer live with The Sydney Symphony OrchestraJourney deep into Hans Zimmer’s Oscar and Grammy Award-winning career, and experience this extraordinary music from some of the best-loved films of all time performed by the full power of the Sydney Symphony Orchestra. Popular Art of the Score podcasters Andrew Pogson and Dan Golding will guide you in this unforgettable concert event, unpacking what it is that makes this music so impactful and iconic.
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Jan 8, 2025 | 
filmink.com.au | Cara Nash
Prepare to go wild for Wolf Man, the latest horror film from Leigh Whannell (The Invisible Man)From Blumhouse and visionary writer-director Leigh Whannell, the creators of the chilling modern monster tale The Invisible Man, comes a terrifying new lupine nightmare: Wolf Man.
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Jan 7, 2025 | 
filmink.com.au | Cara Nash
By Erin FreeFilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer/director James Bridges, who helmed The China Syndrome, The Paper Chase and Urban Cowboy. There are a few likely reasons for director James Bridges’ status as an Unsung Auteur.
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Dec 5, 2024 | 
filmink.com.au | Cara Nash
By Philip BerkFilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: playwright, screenwriter and director John Patrick Shanley, who helmed Joe Versus The Volcano, Doubt and Wild Mountain Thyme.
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Dec 4, 2024 | 
filmink.com.au | Cara Nash
By Josie GaglianoOne of Australia’s busiest actors, Ryan Corr goes impressively deep on the dark, gritty, emotionally charged noir thriller Catching Dust. words wordsLet’s set the scene: where are you doing this interview from, and where are you usually based? “I’m based in Sydney…I’ve been there since I was 18. I moved there from Melbourne for acting school [NIDA], so ‘based’ is a loose term, because of the nature of what we do. We find ourselves living in three or four places a year.
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Dec 4, 2024 | 
filmink.com.au | Cara Nash
“Anora is a small film that feels much larger, elevated by humour, chaos, and human tenderness.” The Independent UKAfter establishing himself as a fresh new cinematic voice with films like Tangerine, Snowbird, The Florida Project and Red Rocket, writer/director Sean Baker took out the big prize at the Cannes Film Festival earlier this year with his dynamic showstopper Anora, toplined by fascinating star on the rise Mikey Madison (Once Upon A Time…In Hollywood).
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Nov 27, 2024 | 
filmink.com.au | Cara Nash
By Erin FreeFilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: screenwriter, novelist and occasional director William Peter Blatty, who did a lot more than just write The Exorcist. Sometimes, one creative achievement stands so tall that it casts everything else its creator has done into shadow. Sure, it’s extraordinary to be recognised so intensely for one thing, but when it comes at the expense of other fine work, that can be tough.
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Nov 20, 2024 | 
filmink.com.au | Cara Nash
By Demetrius RomeoFilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: music film director Peter Clifton, who helmed The Song Remains The Same. When it comes to music – and particularly music films – the star is always the musical artist themselves. The director of said music film is rarely even mentioned, unless of course it’s a behind-the-camera superstar like Martin Scorsese, Jim Jarmusch, Jonathan Demme or David Lynch.
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Nov 20, 2024 | 
filmink.com.au | Cara Nash
By Tom ZubryckiWith the upcoming screening of restored prints of Homelands and Kemira: Diary Of A Strike, acclaimed Australian documentary filmmaker Tom Zubrycki looks back on the creation of these two essential works. The invitation from Melbourne Cinematheque for a mini retrospective was the perfect excuse to restore a couple of my early films, Kemira: Diary Of A Strike and Homelands. I worked with Sydney based expert restorer Ray Argall.
