Carlos Valladares

RT @mubinotebook: "His photographs humble their iconic figures, gently pulling them down from the pedestal of fleeting celebrity; his films…

Going to all of these — a well-curated and wonderful lineup 🙏🏽🙏🏽

Yasmina @yasminatawil

Very excited to present my next @BAMfilmBrooklyn program which explores Sudanese Cinema from independence to present days. I've been such a big fan of the incredible work out of Sudan for so long and I can't wait to share some of my favorites with you! https://t.co/2Xm8sntpgE

Excellent book of interviews (bought it in French last year) from a bizarrely terminally maligned director (mostly by Film Twitter people). Highly recommended. If anyone’s looking for me to review this, I’m around ✋🏾

StickingPlaceBooks @StickingPlaceBk

Damian Chazelle: Since musicians are generally static when playing instruments, it’s the relationship between shots that creates rhythmic pacing. Put simply: WHIPLASH is Eisenstein’s “montage of attractions,” & LA LA LAND is Bazin’s “forbidden montage." From SPB! Link in reply: https://t.co/aAA6XplQpq

RT @cvalladares0896: For @BOMBmagazine , I spoke again with Charles Burnett in advance of the re-release of the restored KILLER OF SHEEP (1…

For @BOMBmagazine , I spoke again with Charles Burnett in advance of the re-release of the restored KILLER OF SHEEP (1977), now with Dinah Washington's "Unforgettable". He's in New York this weekend for select Q-and-A's and intros at @FilmForumNYC. https://t.co/oRB6fQkiG2

RT @cvalladares0896: I profiled the indefatigable Jerry Schatzberg for @mubinotebook on the occasion of his recent MoMA retrospective. Brew…

I profiled the indefatigable Jerry Schatzberg for @mubinotebook on the occasion of his recent MoMA retrospective. Brew the coffee, it’s a long one: https://t.co/LdUhjUZfJu

RT @YaleFilmArchive: TONIGHT AT YALE: François Truffaut's THE STORY OF ADÈLE H. in 35mm, screening for its 50th anniversary in the "French…

RT @Variety: "No Other Land" director Basel Adra: "We call on the world to take serious actions to stop the injustice and to stop the ethni…

RT @prolepeach: Thank you to everyone who has read and shared and engaged seriously with my critical piece on Anora. The sheen of awards se…

RT @hamrahrama: For @nplusonemag, on 17 Oscar-nominated movies and David Lynch — https://t.co/gOPl2ulDcL

RT @JoyceCarolOates: "Scarecrow" (1973) with Gene Hackman & Al Pacino is possibly the most underrated wonderful film of all; never mentione…

https://t.co/hpUT8mvOaK

Rachel Lapides @rachellapides

why is improv always comedy? I want to attend an improvised slice of life family drama

Remembering my favorite and most moving of Gene Hackman’s performances (among so many): Max, in Jerry Schatzberg’s SCARECROW (1973). “It's the only film I've ever made in absolute continuity, and that allowed me to take all kinds of chances and really build my character.” https://t.co/FnRKpvZDz7

RT @JFrankensteiner: 😭 https://t.co/LQh0uOYU2f