
Articles
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3 weeks ago |
momus.ca | Cat Kron
Systems call to mind the grandiose, sweeping, and entrenched, for better or worse. Systems of belief, systems theory, the prison system … By comparison, Nancy Holt’s Systems Works, a body of sculptural installations made between 1981 and 1992, are decidedly humble and pointedly unfixed, mutable.
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3 weeks ago |
momus.ca | Cat Kron
Systems call to mind the grandiose, sweeping, and entrenched, for better or worse. Systems of belief, systems theory, the prison system … By comparison,…
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Feb 25, 2025 |
artreview.com | Cat Kron
A new show at LACMA explores the impact of digital manipulation on the past 40 years of popular culture – and the rise of an influential counterculture Since the film industry drives Los Angeles, one might expect this show – of over 150 pieces of art, design, commercial film and software demonstrating the impact that digital manipulation tools have had on culture over the past 40 years – to force-feed its audience a sizzle-reel of CGI’s greatest hits.
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Jan 17, 2025 |
artillerymag.com | Emma Christ |Cat Kron
If the sculpture of concrete’s last big cultural “moment” (sometime in the 2010s) was typified by figurative and abstract cement statuary that merely winked at its Home Depot provenance, Lauren Bon foregrounds this material in all its blunt, obdurate force. “Concrete Is Fluid” was organized as an informal survey of the artist’s work with Metabolic Studio, the community platform she founded in 2005.
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Jan 15, 2025 |
frieze.com | Cat Kron
The axis on which ‘The Living End’ turns is there in its subscript: ‘Painting and Other Technologies, 1970–2020’. Painting is positioned not at odds with new apparatuses, but as a technology itself – one of many systems used to make sense of the visual world. As technologies go, however, it’s a porous one, absorbing emergent mechanisms and methods as it advances.
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