
Catherine Sawoski
Articles
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Nov 2, 2024 |
culturebot.org | Catherine Sawoski
Pure Vinegar in “Honeyland” in Theater I spent the two hours after leaving Honeyland thinking about how it could be rewritten into a passable show. It was a frustrating task. What should one do with a musical whose surface goes no deeper than a 1960s Wikipedia page?
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Oct 30, 2024 |
culturebot.org | Catherine Sawoski
In “Cellino v. Barnes” Inside Knowledge is Too Essential in Theater The ‘Cellino v. Barnes’ play ads have been almost as inescapable as their real-life inspirations in recent months. Facebook and Instagram have become virtual billboards with plastered actors across the screen in mock legal commercials declaring that you, the onlooker, have been ‘served.’ It’s only fitting.
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Oct 18, 2024 |
ff2media.com | Catherine Sawoski
Today, October 18th, is the 73rd birthday of #1 New York Times best-selling author Terry McMillian. A tour de force in the publishing world and an acclaimed storyteller, she has shaped the popular consciousness by writing about the lives of strong black women and their attempts to find meaningful relationships with black men. Her books, which have been adapted into successful movies, have sold millions of copies worldwide and made Terry into a household name.
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Oct 8, 2024 |
ff2media.com | Catherine Sawoski
Today, FF2 Media is celebrating the life and legacy of seminal Black author Toni Morrison, who woke up on this day in 1993 to learn that she had won the Nobel Prize in Literature! In their announcement, the Nobel committee described her as someone “who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality.” Widely considered to be one of the most important novelists of the 20th century, Toni was the first African American woman to...
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Oct 5, 2024 |
culturebot.org | Catherine Sawoski
A Clean Sweep in ELEGIE’s The Maids in Theater Few things make you feel as lucky to live in New York as being around artists at the beginning of their careers. This is certainly the case with ELEGIE, a nascent theater company founded this past summer by Kara Gordon with an inventive production of Jean Genet’s The Maids.
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