Cathy Horyn

3 weeks ago | archive.ph | Carly Lewis |Cathy Horyn |Rebecca Traister

Photo-Illustration: The Cut; Photos: Getty This article was featured in One Great Story, New York’s reading recommendation newsletter. Sign up here to get it nightly. Evelyn knew something was off. Her usually calm boyfriend of four years had become more irritable, slamming kitchen drawers if he couldn’t find what he was looking for and punching the dashboard of his car if he hit a red light. He’d also stopped wanting to have sex. She grew suspicious over how protective he’d become of his phone.

1 month ago | thecut.com | Cathy Horyn

Photo: Courtesy of Phoebe Philo The fall shows in Europe saw abrupt changes from Prada, Balenciaga and Miu Miu, a move toward plainer clothes. Not so from Phoebe Philo. Her latest collection, which can be viewed online, is another building block in her original plan of creating a modern wardrobe. She remains focused on the real and simultaneously obsessed with the cool, and she makes that difficult balance look easy.

1 month ago | gossipbucket.com | Cathy Horyn

A big swirling bucket of the latest rumors, celebrity news and Hollywood gossip. The premier celebrity gossip app. The only apps that gives you a comprehensive real time celeb news stream. Gossip Bucket aggregates and streams the latest gossip news and headlines from the top sources in one place.

1 month ago | thecut.com | Cathy Horyn

Left to right: Chanel, Miu Miu, Saint Laurent Photo-Illustration: by The Cut; Photos: Courtesy of Chanel, Miu Miu, Saint Laurent Miuccia Prada gave last-minute excitement to the fall shows by turning the cheap-looking and ugly into fashion. It happened at Miu Miu, where such provocations often occur, and the relative ordinariness of her clothes also made for good social commentary. First, let’s consider the grooming, because Prada’s hair and makeup always tell a great deal.

1 month ago | thecut.com | Cathy Horyn

Photo-Illustration: by The Cut; Photos: Courtesy of Louis Vuitton, The Row, Marine Serre Five years ago, Nicolas Ghesquière staged an extraordinary show for Louis Vuitton at the Louvre. It posed the question: What would happen if the past could look at us? He invited 200 choral singers, arranged on risers, to become characters in a living tableaux against the back wall, and he asked the costumer Milena Canonero to dress them in styles spanning the 15th century to the 1950s.