Charlotte Collins

1 month ago | architecturaldigest.com | Charlotte Collins

First there was method acting (sometimes it wins you an Emmy, sometimes it bristles your costars, sometimes it does both). Then a novel phenomenon called method dressing took red carpets by storm (remember Zendaya’s perfectly executed tennis-themed looks for her Challengers press tour?) Next up: The method dressing room.

1 month ago | yahoo.com | Charlotte Collins

All products featured on Architectural Digest are independently selected by Architectural Digest editors. However, when you buy something through our retail links, Condé Nast may earn an affiliate commission. First there was method acting (sometimes it wins you an Emmy, sometimes it bristles your costars, sometimes it does both).

1 month ago | architecturaldigest.com | Charlotte Collins

Something is seriously sinister about Lumon’s severed floor. That’s the entire concept of Apple TV’s smash-hit sci-fi series Severance: One version of a “severed” Lumon employee’s split consciousness, their “outie,” experiences an average off-duty life, while their counterpart—their “innie”’—comes alive only when on-the-clock to do mysteriously important work on the company’s windowless lower level.

2 months ago | yahoo.com | Charlotte Collins

All products featured on Architectural Digest are independently selected by Architectural Digest editors. However, when you buy something through our retail links, Condé Nast may earn an affiliate commission. How does a supermodel accessorize her house? In Chanel, of course. Surfboards and throw pillows from the luxury fashion label set a chic scene in the living area of Chanel Iman Godchaux’s Miami area manse—doubly apropos, given the storied brand’s founder, Coco Chanel, is her namesake.

2 months ago | architecturaldigest.com | Charlotte Collins

For many Black art collectors, the home doubles as a gallery. Not just because our interiors are where we keep our most valued possessions, but, as artist and curator Jessica Gaynelle Moss explains, because “we didn’t have space otherwise.” Historically, in the absence of institutional respect for Black artistry, domestic spaces were some of the only venues available for exhibition.