Charlotte Higgins

1 month ago | theguardian.com | Charlotte Higgins

A miasma hangs over Ambridge; an enchantment of sorts. Its inhabitants seem bizarrely foggy about events in the outside world. For example, the word Palestine cannot be spoken in the village. The Malik family have been saying a few prayers during iftar, among which “Let it stop soon,” is the nearest anyone has come to mentioning The Situation.

1 month ago | theguardian.com | Charlotte Higgins

On a frosty bright-blue day in February 2024, Jeremy Deller was in Dundee, examining severed heads. “How can anyone not be fascinated by a head?” he said. Deller is an elfin figure, 5ft 5 on a good day, a low-key, unintimidating presence. The only giveaway to his identity as an artist was his slightly dandyish clothing: a KLF T-shirt, a checked neckerchief, lemon-yellow socks and a purple Missoni sweater, which he hurriedly explained, lest he come across as too fancy, he had bought on sale.

1 month ago | theguardian.com | Charlotte Higgins

It has come to this: we are now in Ministry of Truth territory. In Washington DC, the Smithsonian Institution, the US’s ensemble of 21 great national museums, last week became the subject of an executive order by President Donald Trump. “Distorted narratives” are to be rooted out. There will be no more of the “corrosive ideology” that has fostered a “sense of national shame”.

1 month ago | theguardian.com | Charlotte Higgins

‘If I could have a pound for every person who’s told me that the Frick is their favourite museum, I’d be able to retire already,” says Axel Rüger, the new director of the New York institution, who has just moved there from leading the Royal Academy of Arts in London. Part of the Frick’s appeal is that it is a great museum that hardly feels like a museum at all.

1 month ago | msn.com | Charlotte Higgins

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