Articles

  • 1 week ago | theguardian.com | Charlotte Jansen

    This is a photo of my parents right after their deaths, in Assen, the Netherlands, on 1 May 2024. My father Klaas Roemers was 90, my mother Fenny Roemers-Visser was 86. They had a good life and a very happy marriage, but the last years were difficult. They were both sick and exhausted. Both had heart failure, my mother had a lot of pain. Both were in a really bad shape. They still lived in their own house but life was getting harder and harder, even with help.

  • 1 week ago | msn.com | Charlotte Jansen

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

  • 1 month ago | theguardian.com | Charlotte Jansen

    Artist Mahtab Hussain was in his 20s in July 2005, when four terrorists detonated homemade bombs in separate, coordinated suicide attacks during rush hour in London. As a young British-born Muslim with Pakistani heritage, Hussain found himself among those on the frontline of a renewed wave of Islamophobia and racial profiling in the UK. The experiences of growing up in the post 9/11, 7/7 era as a young Muslim man instilled in him a hysterical pressure “to change myself”, he says.

  • 1 month ago | msn.com | Charlotte Jansen

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

  • 1 month ago | theguardian.com | Charlotte Jansen

    A few minutes into the mind-bending exhibition Mario Cresci: Geometries/Epiphanies, I find myself in a cerebral standoff with a grid of 16 black squares. This is the 83-year-old’s artist’s first exhibition outside his native Italy. Cresci belongs to a niche of Italian conceptual artists who took up cameras in the 1960s to reinvent cliches of the country’s famed identity.

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