Articles

  • 3 weeks ago | thetimes.com | Chloë Ashby

    In a self-portrait from 1902, Gwen John meets us with an unwavering gaze, pursed lips and a slight tilt of her head. Her auburn hair is tidily drawn back into a simple bun, and she wears a crimson blouse with a velvet choker pinned beneath a brooch at the base of her long, slender neck. Her younger brother Augustus (she called him Gus), who began work on his own self-portrait the same year, shares her almond-shaped eyes and strong nose.

  • 1 month ago | theguardian.com | Chloë Ashby

    It is a bright and sunny day in Somerset, and out on the neatly mown lawn at Hauser & Wirth, Niki de Saint Phalle’s voluptuous Nanas (“girls”) are positively sparkling. There are three of them (a nod to Botticelli’s three graces): one silver, one black, one white, all made from polyester jazzed up with colourful mosaic and shimmering mirrors. She has captured them mid-twirl, arms tossed in the air like they just don’t care, legs kicked out at jaunty angles.

  • 1 month ago | theguardian.com | Chloë Ashby

    Ten years ago, when the Scottish painter Caroline Walker was in her early30s, she noticed something happening to her artist friends who were having babies. “They were suddenly taken less seriously,” she says. At the time, she didn’t have children of her own, and she was sure that if she ever did, her life as a parent would remain separate from her art.

  • 1 month ago | thespectator.com | Chloë Ashby

    It is remarkable the web Katie Kitamura can spin around a scene as simple as a woman joining a man for lunch. His name is Xavier. We don’t know her name, but we do know she’s a successful actress. He’s beautiful, almost half her age, and she’s aware of how that must look to the other diners, the waiter hovering at her elbow, and her husband, who inexplicably enters after their food arrives before exiting in a hurry.

  • 2 months ago | spectator.co.uk | Chloë Ashby

    It is remarkable the web Katie Kitamura can spin around a scene as simple as a woman joining a man for lunch. His name is Xavier. We don’t know her name, but we do know she’s a successful actress. He’s beautiful, almost half her age, and she’s aware of how that must look to the other diners, the waiter hovering at her elbow, and her husband, who inexplicably enters after their food arrives before exiting in a hurry.

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Chloë Ashby
Chloë Ashby @chloelashby
4 Jun 25

I reviewed Judith Mackrell’s long and lively joint biography of Gwen and Augustus John for @timesculture https://t.co/YlaiE6QHrm

Chloë Ashby
Chloë Ashby @chloelashby
3 Jun 25

another day, another press release https://t.co/YtZrgDEEFF

Chloë Ashby
Chloë Ashby @chloelashby
20 May 25

Niki de Saint Phalle and Jean Tinguely reunite! My review for @guardianculture https://t.co/RAtjedbL9L