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Chris Barsanti

Saint Paul

Freelance Writer, Editor, and Consultant at Freelance

Senior Consultant at Korn Ferry

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Articles

  • 2 weeks ago | popmatters.com | Chris Barsanti

    Drop Dead City Pangloss Some might think we have had enough documentaries about New York City in the mid-to-late 1970s. These people can be described as misinformed, misled, or simply missing the point. There is a good reason filmmakers continue to produce documentaries about this period, and will likely do so as long as the form exists, as they do again with Drop Dead City.

  • 2 weeks ago | startribune.com | Chris Barsanti

    Four new graphic novels cover a gamut of subjects, from a serious-minded study of Charles M. Schulz's artistic legacy to the quiet, creatively turbulent life of Jane Austen and a pair of memoirs, one about a trauma-haunted love life and the other about growing up in Wisconsin's ginseng capital. Only What's Necessary: Charles M. Schulz and the Art of Peanuts Has any comic artist besides Charles M.

  • 4 weeks ago | popmatters.com | Chris Barsanti

    Warfare A24 A tight and terrifying docudrama combat procedural, Ray Mendoza and Alex Garland’s Warfare tracks just one engagement in the Iraq War. The firefight was unremarkable enough to have almost certainly been forgotten by anybody not there. For the soldiers and civilians involved, however, it was likely a singular moment of their lives. Mendoza and Garland do nothing to burden their story with external meaning.

  • 1 month ago | popmatters.com | Chris Barsanti

    Death of a Unicorn A24 If you find yourself wondering at any point during Alex Scharfman’s Grand-Guignol fantasy satire Death of a Unicorn, “Wait, how come there are unicorns in the Canadian Rockies which nobody has seen before?” then this is not the film for you. However, if some part of you is thinking, “I hope those vile ultra-wealthy despoilers of all that good and pure get what’s coming to them,” then you are in luck.

  • 1 month ago | slantmagazine.com | Chris Barsanti

    Frankie (Ariella Mastroianni) spends much of Ryan J. Sloan’s Gazer staring at strangers so she can maintain some grip on reality. Barely hanging on to a poverty-wracked existence, she finds a sense of meaning in creating backstories for those she surveils.

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