Chris Mottalini

3 weeks ago | architecturaldigest.com | Mayer Rus |Chris Mottalini |Lisa Rowe

All products featured on Architectural Digest are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. The Japanese philosophy of wabi-sabi—finding beauty in imperfection, impermanence, and authenticity—has long been a staple of international design discourse. Western audiences are perhaps less familiar with komorebi, a word that refers to the ethereal phenomenon of dappled sunlight leaking through trees.

1 month ago | ad-italia.it | David Foxley |Chris Mottalini

Nel Watergate Complex un appartamento di 278 m2 che rivisita il glamour degli anni ’70 e si ispira a Piero Portaluppi. “Speravo in un ritorno allo stile rétro degli anni ’70 che non fosse fumettistico o superficiale”, dice la proprietaria di un appartamento ristrutturato all’ultimo piano del Watergate Complex di Washington. È stato proprio questo brief a portarla dall’architetto e designer Nicholas Potts, i cui interni sono spesso caratterizzati da molto legno caldo, metallo e pietra.

1 month ago | admagazine.com | David Foxley |Chris Mottalini |Corina Mendoza

"Esperaba un regreso al estilo retro de los 70 que no fuera derivado, caricaturesco o superficial", dice la propietaria de este departamento estilo vintage renovado en el emblemático complejo Watergate de DC. Ese matiz en el diseño es lo que la llevó al arquitecto y diseñador Nicholas Potts, cuyos interiores suelen celebrar la abundancia de madera cálida, metal y piedra.

1 month ago | architecturaldigest.com | David Foxley |Chris Mottalini |Tessa Watson

“I was hoping for a 1970s-retro comeback that wasn’t derivative, cartoony, or shallow,” says the owner of a gut-renovated high-floor unit in DC’s landmark Watergate complex. That nuanced design brief is ultimately what led her to architect and designer Nicholas Potts, whose interiors often celebrate an abundance of warm wood, metal, and stone.

2 months ago | admagazine.com | Elizabeth Fazzare |Chris Mottalini

Esta casa de campo es toda una inspiración de la armonía. "Recibí esta tierra como una especie de bebé Covid", dice la artista Miranda Fengyuan Zhang de su granja de 8 hectáreas en Germantown, Nueva York. Por aquel entonces, Zhang y su padre, Weijun Sun, hacían vida social juntos en su departamento de Nueva York mientras soñaban con una casa en la naturaleza. Pasaban los fines de semana en el norte del estado, yendo y viniendo por el río Hudson para ver propiedades.