Chris O'Falt
Executive Editor, Craft and Special Projects at IndieWire
Podcast Host at IndieWire's Filmmaker Toolkit
Exec Editor, Craft & Special Projects @IndieWire, IG: https://t.co/eZshAvDXzL host @toolkitpodcast email: chris @ indiewire
Articles
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1 week ago |
indiewire.com | Chris O'Falt
The final action set piece of the Tom Cruise-led “Mission: Impossible” series wasn’t just going to wrap up the film, it was also earmarked as the franchise’s biggest, most dangerous, and technically challenging stunt. As the clock ticks down on the “Mission: Impossible — The Final Reckoning” A.I. villain (known as The Entity) launching a nuclear holocaust, Ethan Hunt (Cruise) must get the kill switch from around the neck of Gabriel (Esai Morales), who has escaped on a classic Stearman biplane.
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1 week ago |
yahoo.com | Chris O'Falt
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.Generate Key TakeawaysThe final action set piece of the Tom Cruise-led “Mission: Impossible” series wasn’t just going to wrap up the film, it was also earmarked as the franchise’s biggest, most dangerous, and technically challenging stunt.
‘Étoile’: Inside the Show’s Collaborations with Lincoln Center and Three Real Paris Ballet Companies
2 weeks ago |
indiewire.com | Chris O'Falt
Amy Sherman-Palladino and Dan Palladino’s Amazon Prime Video series “Étoile” is set in the elite ballet worlds of Paris and New York City, and while the two dance companies featured in the series are fictional, the show utilized real locations that link each to the famed (and real) ballet institutions of each city. The co-creators told IndieWire this visual association was intentional and important.
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3 weeks ago |
indiewire.com | Chris O'Falt
“Hurry Up Tomorrow” is likely as bleak a film as you’ll see this year.
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3 weeks ago |
indiewire.com | Chris O'Falt
On Tuesday, Disney+ dropped the last three episodes of “Andor,” wrapping up the series and directly setting up “Rogue One.” It’s not typical that a television show needs to pass its baton to a film made almost a decade earlier, and “Andor” creator Tony Gilroy did not want to approach the show’s final episode in a typical way, either.
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Oh,we can talk about #Sinners?! Loved it. Coogler takes big, glorious swings and they largely pay off, especially the music and dance. It’s surprising how much he tries to pack into this thing —I would’ve loved a non-horror version just as well— and yet it totally plays.
