
Chris Wallis
Articles
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2 weeks ago |
northernsoul.me.uk | Chris Wallis
I know nothing about football. Actually, that’s not true. I have two sons who grew up in Manchester, one a City fan, the other, well, the other, and I’ve lived here for 30 years, so it would be impossible not to know something about it. But what I do know could be written on the back of the proverbial stamp, and to be frank, I couldn’t care less. And yet, at the end of the penalty set piece that closes act one of James Graham’s Dear England, there was water in my eye.
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1 month ago |
northernsoul.me.uk | Chris Wallis
When I was asked to review the 18th anniversary menu at Vermilion, self-styled as ‘Manchester’s most glamorous restaurant’, I thought two things: (a) after 18 years, why haven’t I heard of it? And (b) given Manchester’s propensity to bling, that’s quite a claim. I set off to investigate. Now I have the answers. I probably hadn’t heard of it because it’s a bit off the beaten track, in an industrial estate in Hulme Hall Lane, not far from the new Co-op Live arena.
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1 month ago |
northernsoul.me.uk | Chris Wallis
Well, that was fun. Emma Rice’s stage adaptation of Alfred Hitchcock’s 1959 movie from a script by Ernest Lehman is a pleasure from beginning to end. Even more so if you know the movie, because much of the pleasure is in watching how this intrepid team of actors tackle what would seem to be unstageable filmic set pieces. I give you the crop duster plane attack on Cary Grant in the middle of the prairie for one.
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1 month ago |
northernsoul.me.uk | Chris Wallis
The Lowry in Salford Quays is 25-years-old this year. It decided to celebrate its community outreach programme, one of the largest in the country, with a youth theatre production led by Not Too Tame, the Warrington–based company committed to working-class culture created by working-class artists, and ‘a good night out’. And it is a good night out.
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2 months ago |
northernsoul.me.uk | Chris Wallis
This is as fine a production of Krapp’s Last Tape as you are ever likely to see, which is quite a feat when you know it was designed, directed and performed by one person: Gary Oldman. With this new staging, Oldman has come full circle. He began his career at York Theatre Royal in July 1979, just two months after I started my first job as a director there, running the Young People’s Theatre Company.
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