Articles

  • 2 months ago | gqitalia.it | Christina Fragkou |Francesco Menichella

    La cravatta affronta un'altra stagione di moda maschile e si distingue in una sontuosa e sensuale esibizione di sartoria per gentile concessione di Anthony Vaccarello di Saint Laurent, il cui abito a vita stretta ha alterato la nostra chimica cerebrale e lo scorso anno ha invaso i guardaroba delle celebrità.

  • 2 months ago | gq.com | Christina Fragkou

    Another menswear season, another sultry tailoring display courtesy of Saint Laurent’s Anthony Vaccarello, whose nipped-waist suiting altered our brain chemistry and invaded celebrities’ wardrobes last year.

  • 2 months ago | gq.com | Christina Fragkou

    Fashion week tends to favor form over function. Whether the forecast is predicting 90 degrees and humid or a polar vortex, the professionally well-dressed will wear that cool leather blazer (and not much else) like their life (or their follower count) depends on it. That said, fashion insiders have also been known to exhibit gloriously crafty displays of weather-ready layering: tees, jackets, sweaters, and scarves evenly dispersed like the meticulous laminated layers of a fine French croissant.

  • 2 months ago | gq.com | Christina Fragkou

    Ah, neckties. The archetypal flourish of Western menswear. After a blockbuster run over several generations of menswear history, the 21st century hasn’t exactly been a favorable time for the accessory; the tie, unsurprisingly, became the (quite literal) symbol of the chokehold of capitalism and the corporate grindset. For years, public-facing men—from career politicians to Hollywood A-listers—have been eschewing them entirely.

  • 2 months ago | gq-magazin.de | Christina Fragkou |Daniela Mbuy

    Pufferjacken feiern auf der Men's Fashion Week in Paris ihr Comeback. Pufferjacken haben schon lange mit einem schlechten Ruf zu kämpfen: Sie gelten als unförmig, wenig schmeichelhaft und erinnern mit ihrem oft glänzenden Material eher an eine Mülltüte als an ein Mode-Statement.