Claire Biddles

3 weeks ago | msn.com | Claire Biddles

Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

3 weeks ago | theguardian.com | Claire Biddles

The lights go down in Glasgow, and Kylie Minogue ascends from underneath the stage like a pop deity: head-to-toe in electric blue PVC, sitting in the centre of a giant neon diamond. After acclaimed runs in Australia and the US, she’s kicking off the UK leg of her Tension tour, celebrating an era that started two years ago with lead single Padam Padam – a phenomenon everywhere from gay clubs to TikTok – and continued with her equally hook-filled albums Tension and Tension II.

3 weeks ago | yahoo.com | Claire Biddles

Search queryKylie Minogue review – house, techno … doom metal? This is a thrilling reinvention of a pop deitySat, May 17, 2025 at 7:32 AM UTCArt-pop flair … Kylie Minogue at the OVO Hydro.Photograph: Martin Grimes/Getty ImagesThe lights go down in Glasgow, and Kylie Minogue ascends from underneath the stage like a pop deity: head-to-toe in electric blue PVC, sitting in the centre of a giant neon diamond.

1 month ago | thewire.co.uk | Claire Biddles |Emily Pothast |Daniel Spicer |Stewart Smith

June 2025 Subscribers: read this issue online. Subscribe to the magazine. Buy issue 496. Inside our brand new issue: Cosey Fanni Tutti: The industrial music icon has been to Hull and back with her new album 2t2. By Claire Biddles Quinton Barnes: The Montreal rapper and producer flips the script in a new project with free musicians. By Emily Pothast David Van Tieghem: The New York percussionist who has played with everyone on the Downtown scene receives a dedicated collection of his own work.

1 month ago | theguardian.com | Claire Biddles

What does a landscape sound like when it’s not being listened to? This philosophical question was a catalyst for film-maker and artist Joshua Bonnetta, who has distilled a year of recordings from a single tree in upstate New York – that’s 8,760 hours – into a four-hour album, The Pines. As Robert Macfarlane writes in his accompanying essay, The Pines is a reminder of the natural world’s “sheer, miraculous busyness”, its “froth of signals and noise”.