Claudia Croft

1 week ago | 10magazine.com | Claudia Croft

Dressing the world’s biggest musicians is no small feat, yet the stylists featured inside 10 Magazine Issue 74 make crafting superstar fashion perfection look like light work. Jahleel Weaver, creative director and stylistCreating looks that resonate culturally is Weaver’s forte, with Rihanna and Dua Lipa as his top clients, his reach is deep. He’s got the style everyone wants to copy. How would you describe what you do? I do a little bit of this and a little bit of that. A bit of everything.

2 weeks ago | 10magazine.com.au | Claudia Croft

Dressing the world’s biggest musicians is no small feat, yet the stylists featured inside 10 Magazine Australia Issue 25 make crafting superstar fashion perfection look like light work. Anna Trevelyan, stylist and creative directorTrevelyan’s embrace of visual fantasia and love of storytelling have made the pink-haired powerhouse one of the most in-demand image makers in music.

2 weeks ago | 10magazine.com | Claudia Croft

Call it cultural chaos theory, or a high fashion-era shuffle, but Prada’s SS25 show had it all. A deliberately bonkers mix of heavy-duty BDSM leathers jangling with rings, demure pussy-bow blouses, flamboyant cowgirl fringing, sharp space-age silhouettes and bourgeois Sixties tweeds trimmed with (faux) fur – all vied for attention. It was a cacophony of style and savoir-faire, with many looks literally heaving with the Prada atelier’s famed craft work.

2 weeks ago | 10magazine.com | Claudia Croft

Dressing the world’s biggest musicians is no small feat, yet the stylists featured inside 10 Magazine Issue 74 make crafting superstar fashion perfection look like light work. Anna Trevelyan, stylist and creative directorTrevelyan’s embrace of visual fantasia and love of storytelling have made the pink-haired powerhouse one of the most in-demand image makers in music.

3 weeks ago | usa.10magazine.com | Claudia Croft

It has to be the custom Denim Tears looks for Central Cee for his album artwork and press shoot for his [debut] Can't Rush Greatness. His campaign colours are rose gold, so I worked closely with Tremaine [Emory, founder of Denim Tears] and his team on incorporating rose gold rhinestone detailing on all the custom looks. Cench and his team loved them all so much. What's the most rewarding thing about your job? Probably seeing my ideas and vision come to life.