Articles

  • 1 week ago | architecturalrecord.com | Clifford Pearson

    Architecture NewsOpinion It has been nearly a century since an international exposition opened at a moment as fraught as today. Like the 1939 World’s Fair in New York, the 2025 World Expo in Osaka, Japan, is shadowed by a breakdown in global relations, war in Europe, and extreme rhetoric everywhere. The notion of gathering 158 nations to exchange visions of peace and progress feels naïve right now.

  • 2 months ago | architecturalrecord.com | Clifford Pearson

    Architecture NewsInterviews The second China-based architect to win the Pritzker Architecture Prize since its inception in 1979, Chengdu-based Liu Jiakun struggled to find his purpose at the start of his career but came to international attention in 2002 with a poetic design for a museum displaying Buddhist sculpture. Subsequently, he has produced a body of work that engages history, landscape, and the place of the individual in a communal society.

  • Mar 4, 2025 | architecturalrecord.com | Clifford Pearson

    Liu Jiakun, a Chengdu-based architect whose work can be both muscular and nimble, has been named the 2025 laureate of the Pritzker Architecture Prize. His buildings often employ traditional Chinese elements such as walled enclosures and gardens, but do so in modern and poetic ways.

  • Dec 1, 2024 | architecturalrecord.com | Clifford Pearson

    For a $2 billion undertaking encompassing multiple projects within a 2.1 million-square-foot complex, the people directing the ongoing building efforts at New York’s Metropolitan Museum of Art talk a lot about the impact of the individual hand. Details reveal purpose. Small things highlight big intentions. Max Hollein, the museum’s director and CEO, speaks of selecting materials and how these decisions express the institution’s value of environmental responsibility and social inclusion.

  • Oct 20, 2024 | architecturalrecord.com | Clifford Pearson

    Just past the Beaux-Arts-inspired grand stair in the block-long lobby of Marymount’s new building on Manhattan’s Upper East Side, students are busy using 3D printers and the latest “maker” equipment to create projects exploring a rapidly changing world. Tradition and technology meet cheek by jowl, not just on the ground floor but in the three levels below grade and the 10 above.