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Articles

  • 1 week ago | broadwayworld.com | Cybele Pomeroy

    Get Access To Every Broadway StoryUnlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Email:Existing user? Just click login. A salesman manufactures an imaginary town crisis, offering salvation in the form of a children's band, despite having no musical talent. THE MUSIC MAN has captured the hearts of audiences for several generations and shows no sign of descending quietly into obscurity.

  • 2 weeks ago | broadwayworld.com | Cybele Pomeroy

    Enter Your Email to Unlock This ArticlePlus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Email:Existing user? Just click login. Who’s afraid of the Big Bad Wolf, the Big Bad Wolf, the Big Bad Wolf? And who IS Virginia Woolf?  Edward Albee’s 1962 play doesn’t answer these questions, or really, ANY of the questions it provokes. It’s the sort of thing that either tickles or annoys people, depending on what one likes.

  • 3 weeks ago | dctheaterarts.org | Cybele Pomeroy

    In Baltimore Center Stage’s current family-oriented show, Akeelah and the Bee, an urban young person suffering from a lack of positive attention gets pulled into competitive spelling and discovers several unimagined worlds alongside her own. Based on the 2006 film featuring young Keke Palmer, this production has every reason to delight theatergoers: broad appeal, representation, drama, humor, lively action, and local references.

  • 1 month ago | dctheaterarts.org | Cybele Pomeroy

    Theater lovers, something wonderful is afoot in Columbia, Maryland: Silhouette Stages’ production of Kinky Boots —  this sole-ful romp. Charlie Price, a reluctant shoe factory owner, finds his destiny after a late-night encounter with Lola, a performer who needs boots strong enough for a man but made for a woman.

  • 2 months ago | dctheaterarts.org | Cybele Pomeroy

    The stage play Rope, later adapted to become Alfred Hitchcock’s 1948 film of the same name, is an upside-down whodunnit. That is to say, the audience, in what became a film noir trope in the 1940s, knows something that the characters of the piece do not know at the very outset. We know Who, and fairly soon, we know the other W’s as well.

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