Daisy Steinhardt

2 months ago | lwlies.com | Daisy Steinhardt

About Little White Lies Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Feb 5, 2025 | novaramedia.com | John Lubbock |Daisy Steinhardt

The Prince Charles Cinema, on a side street off Leicester Square, is one of central London’s few independent cinemas. In the touristy West End, the cinema is a beacon for film lovers, attracting 250,000 people a year to its two screens which often screen cult and classic films. Now, however, it’s under threat from its property developer landlord. The Prince Charles rents the building from Zedwell LSQ Ltd, a subsidiary company of Criterion Capital, on a long-term lease basis.

Nov 16, 2024 | medium.com | Daisy Steinhardt

Daisy Steinhardt·Follow5 min read·--Spoilers ahead etc if you care about that sort of thing. I don’t normally think of myself as a Hugh Grant fan. Prior to his professional rebrand of villainous character actor/liberal campaigning figurehead, despite having seen and enjoyed Maurice, I couldn’t stop him blurring into a Colin Firth/Bill Nighy Richard-Curtis-feel-good-British-imperialism-family-rom-com nightmare.

Sep 24, 2024 | journoresources.org.uk | Daisy Steinhardt

September 24, 2024 (Updated September 24, 2024) A few months ago, I wrote an article for a large online publication. I sent an invoice to the commissioning editor the next day, who passed it on to the finance department. Several weeks went by and I didn’t get paid. I followed up four times and received many apologies from the commissioning editor. Yet the £150 fee was still not forthcoming.

Apr 26, 2024 | dazeddigital.com | Daisy Steinhardt

As a woman purporting to be the ‘real’ Martha speaks out, it begs the question: did Netflix fail to adequately safeguard the vulnerable woman at the heart of Richard Gadd’s new show? As with any media so closely adapted from reality, it’s difficult to meaningfully separate Baby Reindeer from its context. Since its release earlier this month, countless opinion pieces have been written about fans’ invasive responses to the show.