Dan F. Stapleton

1 week ago | hrmonline.com.au | Dan F. Stapleton

Championing stability during times of complex, fast-moving change is the best way CHROs can help organisations respond to oncoming challenges without losing focus or cohesion, says Disruption Advisors CEO Whitney Johnson. The notion that resilient organisations are built on psychological safety, structural support and aligned priorities is well established among HR leaders.

2 months ago | homestolove.com.au | Dan F. Stapleton

Landscape painter Natalie Anderson has been in awe of the ocean since she was a child. So when the time came for her family of five to find a new place to live, Nat insisted they didn’t stray far from the coast. “We had been living on a semirural property near Geelong and enjoyed being in the countryside,” she says, “but I also wanted to be within 15 minutes’ drive of the sea.”Nat and her husband, Shane, homed in on the Barrabool Hills, in Victoria’s Surf Coast hinterland.

Oct 3, 2024 | afr.com | Dan F. Stapleton

Oct 4, 2024 – 5.00am or Subscribe to save articleEmailLinkedInTwitterFacebookSubscribe to gift this articleGift 5 articles to anyone you choose each month when you subscribe. Subscribe nowAlready a subscriber? Drone-shot footage of distant lands, ocean photography so crisp you can practically taste the salt air, celebrity social-media endorsements… In 2024, cruise-ship campaigns are ambitious, big-budget and multichannel. A century ago, options were more limited.

Aug 27, 2024 | afr.com | Dan F. Stapleton

“The first piece I acquired, back in the 1990s, was a beautiful mixed-media Rosalie Gascoigne, which was a totally instinctive purchase,” she says. “That work alone can dominate a room.”New Zealand-born artist Rosalie Gascoigne’s Clouds II, 1992.

Jun 17, 2024 | afr.com | Dan F. Stapleton

Jun 18, 2024 – 5.00am or Subscribe to save articleEmailLinkedInTwitterFacebookSubscribe to gift this articleGift 5 articles to anyone you choose each month when you subscribe. Subscribe nowAlready a subscriber? The promotional text for the National Gallery’s blockbuster winter show, Gauguin’s World: Tōna Iho, Tōna Ao, features a significant disclaimer.