Articles

  • 3 days ago | thefilmstage.com | Daniel Eagan

    Love is a commodity in Materialists, the second feature from Past Lives writer-director Celine Song. Dakota Johnson plays Lucy, a matchmaker for an elite dating service. Money problems had forced a breakup with John (Chris Evans), a struggling actor. Harry (Pedro Pascal), a financier, offers her a life of unimagined wealth. Romantic triangles tend to pit lovers against each other in a battle for dominance.

  • 5 days ago | screenanarchy.com | Daniel Eagan

    The ongoing damage to the Amazon, through mining and clear-cutting forests, is too widespread to fully comprehend. Tack on former President Bolsonaro's anti-environmental policies, and it should be clear that the peoples of the Amazon basin are facing a catastrophe. That's the unspoken context behind Yanuni, a documentary about activist Juma Xipaia.

  • 1 week ago | screenanarchy.com | Daniel Eagan

    A man on his knees proposes to a woman in a park while someone plays Chopin in the background. It's a classic romantic movie moment, only On a String will carefully and calmly subvert every expectation it raises. First, the woman turns her supplicant down. Next, the movies switches the focus to the musician behind them, Isabel, played by writer and director Isabel Hagen. And while she appears to be performing on a violin, it's actually a viola, a bigger, less familiar instrument.

  • 1 week ago | screenanarchy.com | Daniel Eagan

    On its surface a behind-the-scenes featurette on John Wick: Chapter 4, Wick Is Pain turns out to be a revealing look at the most influential action franchise in decades. Even hard-core fans will learn a lot about what has gone into the five features (so far) in the Wick universe. Coinciding with the release of Ballerina, Wick Is Pain is now available on streaming platforms. Director Jeffrey Doe wisely spends the bulk of his two-hour running time on the first Wick, released in 2014.

  • 1 month ago | screenanarchy.com | Daniel Eagan

    Based on a novel by Yasutaka Tsutsui, Teki Cometh details an elderly professor's decline with almost clinical detachment. Shot in glistening black-and-white, director Daihachi Yoshida’s film is obstinately cold, a Perfect Days in reverse. Gisuke Watanabe (Kyozo Nagatsuka) leads an austere, almost spartan life in a rambling house filled with manuscripts and memorabilia. Cleaning, shopping, and cooking take up most of his time.

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Daniel Eagan
Daniel Eagan @Film_Legacy
5 Jun 25

Ballerina verdict: better than it has to be @ballerinamovie @Lionsgate https://t.co/YyUt7agiiM

Daniel Eagan
Daniel Eagan @Film_Legacy
22 May 25

RT @taesdawn26: there is no way shu qi is turning 50 next year https://t.co/6yBFlDsYbo

Daniel Eagan
Daniel Eagan @Film_Legacy
21 May 25

The Last Rodeo review: familiar but solid rodeo drama starring Neal McDonough for @AngelStudiosInc https://t.co/3xs0PJiD4s https://t.co/TB8WWEcEMB