
Articles
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1 month ago |
spectator.co.uk | Daniel Rey
If you’ve recently been to the cinema or turned on your streaming platform of choice, no doubt you’ll have been offered ‘new’ stories that are fundamentally familiar. From Beetlejuice Beetlejuice, to Dune: Part Two, and now Bridget Jones 4 – the film industry is being driven by franchises and sequels. Of the top 10 highest-grossing films released in Britain in 2024, franchises and sequels accounted for nine. The exception, Wicked, was a prequel.
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1 month ago |
spectator.com.au | Daniel Rey
If you’ve recently been to the cinema or turned on your streaming platform of choice, no doubt you’ll have been offered ‘new’ stories that are fundamentally familiar. From Beetlejuice Beetlejuice, to Dune: Part Two, and now Bridget Jones 4 – the film industry is being driven by franchises and sequels.
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1 month ago |
prospectmagazine.co.uk | Daniel Rey
Emilia Pérez, nominated for 13 Oscars, has been relentlessly incendiary. Netflix’s film, about a Mexican drug lord who transitions into a woman, may become the most consequential film of our era—challenging casting practices, the use of artificial intelligence and even the idea of the auteur. The musical drama, which was probably seen as a safe prospect in Hollywood, has been entangled in a media storm.
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Dec 18, 2024 |
thespectator.com | Daniel Rey
Ten years ago this week, Barack Obama announced the historic US rapprochement with Cuba. Alongside Obama during years of secret negotiations was Joe Biden — then vice president, and a trusted advisor on foreign affairs. But while Obama’s policies reduced Cubans’ reliance on the communist state, President Biden’s actions have done the opposite: spurring extreme hardship and a huge wave of migration to the US.
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Dec 18, 2024 |
prospectmagazine.co.uk | Daniel Rey
José Arcadio Buendía, the patriarch in One Hundred Years of Solitude, is an inventor whose projects straddle the visionary and the impossible. Although some of the schemes work, most—such as his attempt to extract gold using magnetic ingots—end in noble, quixotic failure. The Buendía familyarrived on our screens last week, in the first eight episodes of Netflix’s 16-part adaptation of Gabriel García Márquez’s novel.
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