
Articles
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1 month ago |
goldminemag.com | Dave Thompson
Depending upon which side of the rock spectrum you stand, Simon House's name usually invokes one of two memories - the majesty with which he has graced some of the greatest Hawkwind albums, or the haunting violin which dominated his time with David Bowie. But House's own career reaches way beyond either of those two highs. As a prodigiously gifted teen, he was a member of High Tide, one of the most creative, if sadly unsung, bands to emerge from the post-psychedelic Sixties.
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1 month ago |
goldminemag.com | Dave Thompson
Goldmine's Spin Cycle columnist Dave Thompson discusses this month's picks for music collectors with editor Patrick Prince on this month's Spin Cycle edition of the Goldmine Podcast. Two compilations are highly recommended - one on Mike McCartney's Scaffold and the other centered around the 1960s British psych club Middle Earth - and Record Store Day 2025 vinyl that you should still pick up (if you can). Listen to the podcast HERE or click player below.
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1 month ago |
yahoo.com | Dave Thompson
Goldmine's Spin Cycle columnist Dave Thompson discusses this month's picks for music collectors with editor Patrick Prince on this month’s Spin Cycle edition of the Goldmine Podcast. Two compilations are highly recommended — one on Mike McCartney's Scaffold and the other centered around the 1960s British psych club Middle Earth — and Record Store Day 2025 vinyl that you should still pick up (if you can). Listen to the podcast HERE or click player below.
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2 months ago |
goldminemag.com | Dave Thompson
10cc (1973), Sheet Music (1974), The Original Soundtrack (1975) and How Dare You (1976)... for four albums through the first half of the decade, 10cc were widely regarded among the most creative bands around. But then the band split in two, one half (guitarist Eric Stewart and bassist Graham Gouldman) continuing on as 10cc; the other, guitarist Lol Creme and drummer Kevin Godley, setting sail as, simply, Godley & Creme.
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2 months ago |
goldminemag.com | Dave Thompson
Metal Machine Music (Legacy) A silver vinyl (and cover) pressing of what was once called Lou Reed's most divisive album, but which has since been reappraised to become his most far-sighted. Certainly four sides of unrelenting feedback ("recommended cuts - none," claimed Billboard 's review) unquestionably laid the final foundations to the rise of electronic noise, while the album has since encouraged both live performances and acoustic cover versions.
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