Articles
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2 weeks ago |
vanityfair.it | David Canfield
Quando ha ascoltato per la prima volta Dying for Sex (l’acclamato podcast condotto da Nikki Boyer sul risveglio sessuale della sua migliore amica Molly, malata terminale), Michelle Williams ha avuto una reazione così forte da non riuscire nemmeno a comprenderla. «Mi ha lasciato senza parole, non facevo che piagnucolare. Non riuscivo a spiegare perché mi avesse commosso tanto», racconta Williams.
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2 weeks ago |
revistavanityfair.es | David Canfield |Darío Gael Blanco
La primera vez que Michelle Williams supo de la existencia de Dying for Sex, el aclamado podcast presentado por Nikki Boyer sobre el despertar sexual de Molly, su mejor amiga (y enferma terminal), su reacción fue tan tan fuerte que ni siquiera la pudo entender. “Me dejó atónita, me puse a lloriquear. No podía explicar por qué me conmovió tanto", cuenta la actriz.
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2 weeks ago |
revistavanityfair.es | David Canfield
Sigrid Nunez lleva décadas publicando novelas —agudos y esotéricos estudios de personajes a medio camino entre la ficción y el ensayo— sin mucha fanfarria, pero siempre aclamadas por el público. En 1995, The New York Times calificó su ópera prima, Una pluma en el aliento de Dios, de “novela contundente de una escritora con un talento poco común”. Los seguidores de su obra seguramente estaban de acuerdo, aunque no fueran demasiado numerosos.
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2 weeks ago |
vanityfair.com | David Canfield
This article contains spoilers about the penultimate episode of Yellowjackets season three. When the showrunners of Yellowjackets told Lauren Ambrose what she could expect from the drama’s third season, they covered a lot of ground. “We talked about the strike being over and the business contracting—and then they were like, ‘And your character’s going to die,’” Ambrose says.
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3 weeks ago |
vanityfair.com | David Canfield
For decades, Sigrid Nunez had been publishing novels—sharp, esoteric character studies that lived somewhere between fiction and essay—to little fanfare but consistent acclaim. In 1995, The New York Times called her debut, A Feather on the Breath of God, “a forceful novel by a writer of uncommon talent.” Those who kept up with her work surely agreed, even if it wasn’t the largest group.
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