
David Hoang
Writer at Proof of Concept
Articles
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1 week ago |
proofofconcept.pub | David Hoang
One of the most anticipated sequels during my younger years was The Matrix: Reloaded, the follow-up to the 1999 Keanu Reeves film that had already cemented itself as a sci-fi classic. Though visually stunning with high-octane action scenes, I felt underwhelmed by it, but this is not a movie review. One of the characters they introduced was Seraph, a pivotal protector in the world of The Matrix.
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2 weeks ago |
proofofconcept.pub | David Hoang
“Strategy” is one of those loaded words. I often hear people say, “I want to do more strategy,” especially when talking about career growth. But what does that even mean? “Strategist” feels like one of those titles we should retire—kind of like the “Ideas Guy” before it. With technologies like AI and next-gen tooling, the pace of iteration has shifted from two-week sprints to multi-hour cycles. That changes everything. The good news?
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3 weeks ago |
proofofconcept.pub | David Hoang
We are in a unique shift in tech right now. The world seems to be changing rapidly with AI advancements. Interactions are not a singular text conversation, but multi-modal inputs. We are amid a generational hand-off between Millennials who grew up with the internet, and Gen Z, the first digital native generation. I’m one of the first-wave Millennials—essentially a prototype with Gen X attributes. I had a Walkman and a MySpace page.
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1 month ago |
proofofconcept.pub | David Hoang |Carly Ayres
The term “vibe coding” has taken the internet since Andrej Kaparthy posted about it online:There's a new kind of coding I call "vibe coding", where you fully give in to the vibes, embrace exponentials, and forget that the code even exists. It's possible because the LLMs (e.g. Cursor Composer w Sonnet) are getting too good. Also I just talk to Composer with SuperWhisper so I barely even touch the keyboard.
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1 month ago |
proofofconcept.pub | David Hoang
The Ship of Theseus Paradox questions whether an object that has had all its components replaced remains fundamentally the same object. Imagine a ship where every plank, nail, and sail is gradually replaced over time—once every part is new, is it the same ship? Further complicating the paradox, if someone were to collect all the original parts and rebuild the ship, which one is the “real” Ship of Theseus?
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