Articles

  • Jan 5, 2025 | worldofinteriors.com | David Lipton

    The Gothic, like martinis and Mariah Carey, never needed reviving. ‘Fashion fades, style is eternal,’ said Yves Saint Laurent, who knew a thing or two about the subject. Survival, as academics have argued, is perhaps more apt. Like all the best things, it was handed down rather than requiring full-scale resurrection.

  • Jan 4, 2025 | worldofinteriors.com | David Lipton

    Fresh milk, though sweet at first, curdles fast. In 18th-century ornamental dairies, ladies of the court certainly hoped for the honeyed pleasures of health and female friendship. Some even expected, as Lady Mary Wortley Montagu declared in 1740, ‘immortality from the science of butter-making’. Others found their reputations soured. Marie Antoinette, unhappy queen of Louis XVI, lost her crown and then her life because, at least in part, of the perceived extravagance of cream.

  • Jan 2, 2025 | worldofinteriors.com | David Lipton

    We are all ‘boats against the current’, wrote F. Scott Fitzgerald a century ago. But that idea goes further back still: not for nothing are the vaults of Medieval cathedrals often modelled on ships’ hulls. Artist Frances Carlile has been subtly developing the metaphor with an assembled flotilla of ephemera – leaves, twigs, shells, bones and driftwood – in the forms of tiny vessels.

  • Nov 22, 2024 | worldofinteriors.com | David Lipton

    There’s no use expecting a fish to climb a tree. So, at least, Albert Einstein is once alleged to have advised. Likewise, when the Parisian Surrealists first arrived in London in 1936 for the movement’s international exhibition at the New Burlington Galleries, it may have seemed strange to suppose that those folks would be, in personality as well as output, anything but surreal.

  • Nov 19, 2024 | worldofinteriors.com | David Lipton

    What’s in the air this month? From jousting vegetables to Sprites and stripes, David Lipton has his finger on the pulse of the latest design developments…No-one knows for sure how the pyramids were built. Nevertheless, their forms have inspired designers and architects from (later) antiquity to IM Pei, with his glass entrance to the Louvre. Likewise, from the 15th century, diamond-pointed pyramid rustication began being used to enliven the surfaces of Italian palazzos.

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