Articles

  • Aug 21, 2024 | theconversation.com | Jo Case |Aidan Coleman |Alexander Cothren |Alexander Howard |Ali Mohammad Alizadeh |Amanda Tink | +44 more

    Like so many avid readers around the world, I was fascinated by the recent New York Times list of the Best Books of the 21st century, as voted by 503 authors, critics and book lovers. But like many Australians, I was disappointed to see no Australian books on the list. Even those authors who’ve made a splash in the US literary scene this century – Helen Garner, Gerald Murnane, Maria Tumarkin – didn’t get a guernsey. That’s where we come in.

  • Jul 29, 2024 | australianbookreview.com.au | David McCooey |Arts Highlights

    Poetry Poetry’s auditory affordances Tintinnabulum: New poems Giramondo, $27 pb, 81 pp Poetry Poetry’s auditory affordances Bells are often associated with the sacred. A resonating bell marks out a space for reverence to inhabit. It calls for attention on the part of the devotee, for a shift in perception from the mundane to the sanctified. A ‘tintinnabulum’ is a small bell, and it is the name that the acclaimed poet Judith Beveridge has given to her latest collection of poems....

  • Jun 12, 2024 | meanjin.com.au | David McCooey |Maria Takolander

    In the aftermath of a disaster, people (and polystyrene balls) tend to gather like this too. Embrace Australia’s finest writers: subscribe to MeanjinSubscriptions start at just $5 a month — which goes directly towards our writers’ fees. SUBSCRIBE

  • May 27, 2024 | dailybulletin.com.au | David McCooey

    Wrong Norma, the latest collection of writings (and drawings and facsimiles) by the feted Canadian poet Anne Carson, is a work full of allusions, quotations, references, parody and other forms of stylised evocation. Sometimes the allusions are more buried than a quick Google allows for. The opening piece 1=1, for instance, is a meditation on (among other things) swimming.

  • May 23, 2024 | hashtag.net.au | David McCooey

    Wrong Norma, the latest collection of writings (and drawings and facsimiles) by the feted Canadian poet Anne Carson, is a work full of allusions, quotations, references, parody and other forms of stylised evocation. Sometimes the allusions are more buried than a quick Google allows for. The opening piece 1=1, for instance, is a meditation on (among other things) swimming.

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