David Shariatmadari
Literary Editor at The Guardian
Literary editor at The Guardian covering non fiction, formerly opinion editor. Wrote a book about how language works: Don't Believe A Word. Co-created Wordiply.
Articles
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3 weeks ago |
theguardian.com | David Shariatmadari
Ezra Klein, the New York Times podcast host and progressive media’s undisputed nerd king, starts his new book with something of a palate cleanser for our troubled times. For a few paragraphs, he and his co-author, the Atlantic journalist Derek Thompson, whisk us out of the grim reality of contemporary politics to a world of Abundance (the word they picked as their title).
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Jan 18, 2025 |
msn.com | David Shariatmadari
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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Jan 18, 2025 |
theguardian.com | David Shariatmadari
In 2015, Joni Mitchell suffered a catastrophic stroke. According to her friend, the musician and neuroscientist Daniel Levitin, “when she got back from the hospital, she couldn’t walk and she couldn’t talk, and the doctors were so pessimistic about her recovery, they hadn’t scheduled any follow-ups”. For a while it looked as though one of the most gifted songwriters of the 20th century would be permanently silenced.
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Jan 16, 2025 |
irishtimes.com | David Shariatmadari
Brian Eno’s studio in Notting Hill is tucked away at the end of a cobbled mews, its facade a quarter of the normal size. The effect is like a kind of fairy-door, and as you enter, it opens on to a vast light-filled room with a spiral staircase at the centre. On one side, Eno, in a purple shirt, is hovering silently over a table top making marks on something.
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Jan 10, 2025 |
theguardian.com | David Shariatmadari
Brian Eno’s studio in Notting Hill is tucked away at the end of a cobbled mews, its facade a quarter of the normal size. The effect is like a kind of fairy-door, and as you enter, it opens on to a vast light-filled room with a spiral staircase at the centre. On one side, Eno, in a purple shirt, is hovering silently over a table top making marks on something.
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