Davide Abbatescianni
Foreign Correspondent at Cineuropa
Contributing Writer at Cinema Femme
33 yo Rome-based journo for @Cineuropa & other intl outlets. @EuroFilmAcademy/@FIPRESCI member. I drink way too much coffee and love cinema
Articles
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3 weeks ago |
nordiskfilmogtvfond.com | Davide Abbatescianni
The series, staged by Alfredfilm for NRK, tackles sensitive and challenging topics such as sexual assault and queer identity with tact and empathy. Shut Up (Oro Jaska), the groundbreaking Sámi/Norwegian youth series that confronts taboo issues such as sexual assault and queer identity within Indigenous communities, is gaining international recognition.
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3 weeks ago |
newscientist.com | Davide Abbatescianni
SallyCristina CostantiniDisney+ (from 17 June)In 1983, Sally Ride made global headlines as the first US woman in space and the third woman after cosmonauts Valentina Tereshkova and Svetlana Savitskaya. A new documentary, directed by Cristina Costantini, sheds light on her extraordinary life. And it delves beyond the media spectacle to explore the complexities of her private life, including her 27-year-long relationship with Tam O’Shaughnessy, a children’s science writer.
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3 weeks ago |
nordiskfilmogtvfond.com | Davide Abbatescianni
This year’s Czech fest places Nordic storytelling centre stage with two emotionally charged world premieres in its main competition. The upcoming 59th Karlovy Vary International Film Festival (4-12 July) has unveiled a sharply curated line-up of 11 world premieres in its Crystal Globe Competition, two of which put Nordic cinema in the spotlight.
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3 weeks ago |
cineuropa.org | Davide Abbatescianni
- The project, which entered production in northern Sweden in May, sees Rolf Lassgård and Lennart Jähkel reuniting in an exciting new cosmic taleProduction is under way on Arne Goes to Space, the feature debut by Swedish director Lars Vega.
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3 weeks ago |
nordiskfilmogtvfond.com | Davide Abbatescianni
Though global box office numbers don’t always reflect the optimism on the ground, Abrahamsson believes in backing bold work. “There’s good energy, even if local box offices around the world may not fully reflect that optimism. It’s a strong competition this year — I haven’t seen all the titles yet, but aside from our own, there were quite a few that stood out. Deals also seem to be happening.” “The high-end projects are highly coveted and command big money.
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