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Oct 20, 2024 |
letraslibres.com | Diane Seuss
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Sep 23, 2024 |
newyorker.com | Diane Seuss
of dying, from hemlock unbeknownstto me in my garden. Unbeknownst, I picked a prettyhemlock bouquet,mistaking it for wildcarrot, inhalingenough of its noxious powdersto drop a donkey but not a god,and not a philosopher,who must drink it as a potion from a cup. A poet? Who knows. Who can claim to be a poet? My Socrates told me to nevermake that claim, it paints you as a hotdog, a peabrain. Nonetheless,I sickened from the bouquet,my legs heavy, my lungs flimsy and sad.
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May 27, 2024 |
libraryjournal.com | Diane Seuss
.
Mar. 2024.
112p.
ISBN 9781644452752. $26.
POETRY
COPY ISBN
In her follow-up to the Pulitzer Prize–winning
frank: sonnets, Seuss assesses the nature and value of poetry by purveying beautifully hard-edged plainspokenness to capture aspects of her life. She recalls her upbringing in a “desolate town,” her working-class background (“My class.
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May 22, 2024 |
harpers.org | Diane Seuss
From a manuscript in progress. The best I can do is to be concrete,by which I mean cementedin place. Bywhich I mean beingthe mean witchI concretely have become. A pointy blackfactual hat. A nonfictional wand. My husky boyfeet cemented into the concreteveranda. A veranda I call a verandabecause it is not a veranda. Read me my Miranda rights on that one;it’s a class thing. Like calling a soda cracker a Tombstonepizza.
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May 12, 2024 |
cordite.org.au | Diane Seuss
or in something else’s mouth. The muskof a shrew in a snake’s jaw. The scalesof a snake under the bobcat’s fangs. The polio vaccine-saturated sugarcube melting awayin a kid’s mouth. What glee, to receive,on a six-faced, twelve-edgedconvex polyhedron, sweetness,not a needle in the ass. A fatlie on the lips of the skinny minister. Candy on CandyDarling’s tongue. The stickof a Blow Pop wedged in the gapbetween her teeth as she walked in her tallheels into the DeVern School of Cosmetology.
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Mar 20, 2024 |
theatlantic.com | Diane Seuss
To drive to it is to drive through it. Like a stalker, it is in the back seat of the car. It’s in the passenger seat, and the wires of the radio. You want to think of it as a destination, a two-week break from purchase power. Though you have purchased much to get there. Certain shoes, with certain soles. Like an exile in a self-made skiff in the middle of a tortured sea, nature is what you have done to it.
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Mar 4, 2024 |
poetryfoundation.org | Diane Seuss |Virginia Konchan
By Diane Seuss A post-Romantic lyric autobiography, Diane Seuss’s Modern Poetry, in reinventing the 19th- and 20th-century poetic canons, deconstructs how poems and poets are made, and what poems mean.
I was beginning
to understand, but barely. To ask a pertinent question
now and then, like where the hell was Langston Hughes
in Modern Poetry? Dickinson, in Nineteenth Century
American Lit?
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Feb 28, 2024 |
yalereview.org | Diane Seuss
Diane Seuss I hate watching men on TV chase women in order to kill them. The women all seem to be marathonrunners but still the men catch themand kill them. Neverdo these women have meaton their bones. They’re designedlike axe handles. The mencan be allergists, animal trainers, armoredtruck drivers, aromatherapists, I couldgo through the whole alphabet;they can be otters or bodybuilders, teenagers, octogenarians, brothers, husbands, or strangers, they could be F.
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Dec 2, 2023 |
poetryfoundation.org | Diane Seuss
Do you think your suffering is exceptional?
Maybe. Maybe not.
The times are strange, no doubt.
In the heat of it, what I believed
was the heat of it, I shouted like a dockworker
that I was unafraid. Come at me,
I hollered, you can only kill me
once. There is nothing left
to take. I’ve said that before. I still hear
the echo from when the flames
licked my feet,
my fearlessness a cabaret.
Of course, there is more to take.
I’m copious and so are you.
My pipe. My roses. My stubborn
mule.
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Dec 1, 2023 |
poetryfoundation.org | Diane Seuss
What kind of juke do you prefer?
For me, it’s the kind with three
songs and thirty-seven blank
title strips. Three songs, and two
are “Luckenbach, Texas.”
The third is beautiful and arcane,
but the patrons hate it,
and the record skips.
I prefer the three-song juke
and the three-toothed human
smile. I found the juke of my dreams
in a bar called “Chums,” no clue
the origin or meaning
of the quotation marks. It was a prime
number of a bar, and now it’s dead.