
Dominic Haley
Journalist at Freelance
Marketing and Partnership stuff at @LoudandQuietmag. Music writing for some others. Former editor at @Spoonfed Get at me: dominichly at gmail
Articles
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Sep 3, 2024 |
loudandquiet.com | Dominic Haley |Sophie Barloc
Technically, these are supposed to be the dog days of the summer, but the sun is beating down mercilessly on Larmer Tree Gardens this Friday afternoon. As a result, End of the Road Festival feels almost like a surreal, shimmering mirage. Clad in black, we move like ants under a magnifying glass, seeking refuge beneath ancient oaks. While the conditions might defy the weather app’s mild predictions, it perfectly encapsulates the festival’s spirit: expect the unexpected.
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Jun 23, 2024 |
loudandquiet.com | Dominic Haley
Bear with me for a minute as we go down a rabbit hole. Let’s talk about saxophones. Culturally speaking, the sax has been on a journey, fluctuating from centre-stage icon to sad, weird things that only band nerds play. Invented in 1842 by Adolphe Sax (genuinely), it spent its first 80 years as a musical curiosity. It wasn’t until the 1920s that it started making a splash in the hands of jazz bands like The Duke Ellington Orchestra, and remained a mainstay of popular music until the early rock era.
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Apr 11, 2024 |
loudandquiet.com | Dominic Haley
This is the introduction. It’s the start of a review. It’s intended to draw the reader into the article by creating a ‘sense of place’. For that reason, ideally, it should be descriptive. It is a section where the writer is meant to capture the spirit of the Barbican, the venue for tonight’s show. He’s meant to tell you about the brutalist architecture suggesting a once bright and now lost socialist future.
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Feb 25, 2024 |
loudandquiet.com | Dominic Haley
Felicia Dorothea Herman’s Casabianca is a poem that sticks with you. Stretching out a moment in the Battle of the Nile, as the French flagship burns under a midnight moon, Herman’s work captures a moment of serenity in violence, her camera pointing dispassionately at the ship’s deck, focusing on the unmoving figure of a young boy frozen while the blaze slowly engulfs him. As an image of impending doom, it’s stark, but it also chimes with the music of The Body.
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Feb 11, 2024 |
loudandquiet.com | Dominic Haley
Bingo Fury, aka Bristol’s Jack Ogbourne, has been bubbling away in the background for a few years now. Launching his solo career during the first lockdown, his musical journey so far amounts to a handful of singles, EPs and appearances at live events (including Loud and Quiet‘s Christmas party in 2022) and a slowly growing buzz amongst industry heads and music critics alike.
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‘The working class can’t afford it’: the shocking truth about the money bands make on tour” - damn this is bleak. https://t.co/mGhK4oe2VU

RT @LoudAndQuietMag: .@Dom_Haley caught Jenny Hval's new postmodern theatre show I Want to be a Machine at @BarbicanCentre this week https…

RT @jamestcmanning: are you a freelance magazine editor who's got 4-5 days per week free from May? unlikely I know, but if so, my DMs are o…