Articles

  • 2 weeks ago | britishtheatreguide.info | Donald Stewart

    Having been an audio production by Lepus Productions around the pandemic, Keli, now in full theatrical mode, tells the tale of a 17-year-old who is having to deal with a mentally unwell mother whilst holding down a far from inspiring job at Scot Mid, and they are also being touted as the next big thing in the local brass band.

  • 1 month ago | fringereview.co.uk | Donald Stewart

    “Floored by this, I burst into tears, immediately aware of the implications of this decision on my work, life and financial security. I can’t work without appropriate support, so this email from a stranger was in effect telling me that my entire career is at risk. I feel a surge of panic and the prick of tears every time I think about it.”Jess Thom co-founded Touretteshero“ as a creative response to the increasing impact that my tics were having on my life.” and to create art.

  • 1 month ago | fringereview.co.uk | Donald Stewart

    The Violet Hour Dance International Glasgow presents Colette Sadler Genre: Contemporary, Dance and Movement Theatre, Movement Venue: Tramway Theatre Glasgow.

  • 1 month ago | britishtheatreguide.info | Donald Stewart

    It hardly seems possible that 35 years ago, I was sitting at Borderline Theatre's future new venue—the converted Darlington Church in Ayr—whilst the BBC were filming Robbie Coltrane performing this very same one-man play. But here we are 35 years later, and Franca Rame and Dario Fo’s masterpiece, the most “blasphemous play in history”, is back speaking truth to power. And how that has become such a cliché, particularly in the context of where we are today.

  • 1 month ago | fringereview.co.uk | Donald Stewart

    Songs of the Wayfarer Claire Cunningham as part of Dance International Glasgow Genre: Disability Arts, Movement, Solo Performance, Theatre Venue: Tramway Theatre Glasgow Festival: FringeReview Scotland Narratively this eventually took time but worked very well. Directed with a ponderous opportunity to reflect on the words being used, it mixed layers of meaning with layers of performance. Technically adept, the sculpture of crutches to one side of the stage was powerful reminding us that...

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