Articles

  • Mar 22, 2024 | dreadcentral.com | Drew Tinnin

    Forty years removed from the original classic, the idea of a new Ghostbusters sequel should still elicit some kind of excitement from the movie-going public at large. Granted, after the Statue of Liberty turns down Broadway to the sounds of Jackie Wilson’s “(Your Love Keeps Lifting Me) Higher and Higher” at the end of Ghostbusters II, maybe it was time to put the franchise back in the ghost trap for a while.

  • Mar 19, 2024 | dreadcentral.com | Drew Tinnin

    Greg Jardin’s debut feature It’s What’s Inside operates as a millennial update (or deconstruction) of an Agatha Christie novel. That conceit has good timing, it turns out, hot on the heels of Glass Onion: A Knives Out Mystery and the moderate indie success of Halina Reijn’s Bodies Bodies Bodies. The mystery, full of countless double crosses and unhealthy romantic entanglements, unfolds at a whirlwind pace.

  • Mar 15, 2024 | dreadcentral.com | Drew Tinnin

    There’s already an air of trepidation surrounding Alex Garland’s battleground thriller Civil War. Should U.S. audiences even take the risk of seeing the mirror of their own seemingly irreconcilable differences reflected back at them on the big screen? After witnessing Garland’s latest in towering IMAX at this year’s SXSW, the answer to that question is a resounding yes.

  • Mar 12, 2024 | dreadcentral.com | Drew Tinnin

    As of late, every time a new Nicolas Cage film surfaces, meme generators start buzzing and the internet plucks out a viral moment from another explosive performance from the actor’s unique career. There is one hero shot of Cage in director Ben Brewer’s dystopian family film Arcadian, but it’s completely earned.

  • Mar 11, 2024 | dreadcentral.com | Drew Tinnin

    Before its world premiere at SXSW, little was known about the new experimental genre offering Azrael from notable horror filmmaker E.L. Katz (Cheap Thrills, The Haunting of Bly Manor). By the time the credits rolled, there were still more questions than answers with plenty left to contemplate and decipher. And that’s kind of the point. The wordless script from Simon Barrett (You’re Next, Seance) introduces us into a godless world where language itself has been tossed aside completely.

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