Elaine W. Ng

1 month ago | artasiapacific.com | Elaine W. Ng

Editor’s Letter: Connections and Resonances By Elaine W. Ng Detail of MARIA TANIGUCHI’s Untitled, 2023, acrylic on canvas, dimensions variable. Courtesy Silverlens, Manila/New York. As we embark on this year’s Hong Kong Art Week, ArtAsiaPacific’s March/April issue embraces the complexities and nuances that define contemporary artistic practice.

Nov 1, 2024 | artasiapacific.com | Elaine W. Ng |Sheau Yun Lim |Jeremy Benkemoun |Annette Meier

Oct 31, 2024 | artasiapacific.com | Elaine W. Ng

Issue Amid the hustle and bustle of the post-pandemic economy, we find ourselves contending with uncertainties about how to find our way among the multilayered, complex madness of the world today. We live in an era of deepfakes, echo chambers, rabbit holes, and disappearing history. To what degree then might art serve as a conduit, a vehicle, or even a mouthpiece for our collective desires, or as a way to understand, or even escape, the chaos, and find elements of reality that we can grasp?

Sep 2, 2024 | artasiapacific.com | Elaine W. Ng |Rao Fu |Yujin Lee |Alex Yiu

Sep 1, 2024 | artasiapacific.com | Elaine W. Ng

Issue In an era creaking under the weight of too much content, we are increasingly at the mercy of the immediate. This often manifests itself as an immediacy of meaning: ideology as rigid and unwavering, identities and labels as sacrosanct, and the confessional, in which the personal is political, as the order of the day.