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1 month ago | 
artasiapacific.com | Elaine W. Ng
Editor’s Letter By Elaine W. Ng SU-MEI TSE, Sealed (#1-3), 2024, brass, silicone, red string, 110 × 110In our collective moment of anxiety-inducing political rhetoric and endlessly cascading bad news, this issue of ArtAsiaPacific spotlights artists’ work that seeks to reframe our sense of reality.
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Mar 7, 2025 | 
artasiapacific.com | Elaine W. Ng
Editor’s Letter: Connections and Resonances By Elaine W. Ng Detail of MARIA TANIGUCHI’s Untitled, 2023, acrylic on canvas, dimensions variable. Courtesy Silverlens, Manila/New York. As we embark on this year’s Hong Kong Art Week, ArtAsiaPacific’s March/April issue embraces the complexities and nuances that define contemporary artistic practice.
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Nov 1, 2024 | 
artasiapacific.com | Elaine W. Ng |Sheau Yun Lim |Jeremy Benkemoun |Annette Meier
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Oct 31, 2024 | 
artasiapacific.com | Elaine W. Ng
Issue Amid the hustle and bustle of the post-pandemic economy, we find ourselves contending with uncertainties about how to find our way among the multilayered, complex madness of the world today. We live in an era of deepfakes, echo chambers, rabbit holes, and disappearing history. To what degree then might art serve as a conduit, a vehicle, or even a mouthpiece for our collective desires, or as a way to understand, or even escape, the chaos, and find elements of reality that we can grasp?
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Sep 2, 2024 | 
artasiapacific.com | Elaine W. Ng |Rao Fu |Yujin Lee |Alex Yiu
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Sep 1, 2024 | 
artasiapacific.com | Elaine W. Ng
Issue In an era creaking under the weight of too much content, we are increasingly at the mercy of the immediate. This often manifests itself as an immediacy of meaning: ideology as rigid and unwavering, identities and labels as sacrosanct, and the confessional, in which the personal is political, as the order of the day.
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Jul 2, 2024 | 
artasiapacific.com | Elaine W. Ng |Eman A. Ali |Takeshi Shikama |Ling Gu
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Jun 27, 2024 | 
artasiapacific.com | Elaine W. Ng
Issue In the opening sentence of her essay collection (1979), Joan Didion wrote: “We tell ourselves stories in order to live.” These days, we take photographs of ourselves in order to live. We also photograph the people we know and the strangers we don’t, the food we eat and the places we visit. For artists who use photography as their primary medium, this may be the best of times and the worst of times—a time of abundant imagery, versatile technology, and globally connected audiences.
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May 16, 2024 | 
onlinelibrary.wiley.com | Elaine W. Ng
INTRODUCTION In today's hyper-connected world, educators are continually assessing the knowledge, skills and dispositions needed to address the complex challenges facing the global community (Ministry of Education [MOE], 2022a; Organisation for Economic Co-operation & Development [OECD], 2018a; Twigg et al., 2015).
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Apr 30, 2024 | 
artasiapacific.com | Elaine W. Ng |Zeenat Nagree |Chitra Ganesh |Alex Yiu
