Elliot Grove

1 week ago | raindance.org | Elliot Grove

The entertainment landscape is shifting rapidly, shaped by generational values, technological advancements, and cultural anxieties. Each genre—horror, sci-fi, and drama—reflects these changes differently depending on the audience’s age, fears, and societal influences. Which reminds me – are you coming the Raindance Horror films this June at Raindance?

2 weeks ago | raindance.org | Elliot Grove

Whether you’re an emerging filmmaker, a mid-career creative, or just a die-hard lover of indie cinema, attending Raindance Film Festival isn’t just about watching films — it’s about expanding your network, getting inspired, and accelerating your career. Here’s how to make sure you walk away with more than just a ticket stub. 1. 🎟️ Choose the Right Pass or MembershipBefore you arrive, make sure you’ve got access to the experiences that matter most to you.

3 weeks ago | raindance.org | Elliot Grove

We know better than anyone how hard it is to get a film made. And then you start to submit to many of the 10,000 film festivals around the world using FilmFreeway.com – and then the rejections start piling in. Here is what Raindance thinks might have gone wrong. See if these facts will help your reject the rejection at festivals. And move on:7 Reasons Why Your Film Gets Rejection at FestivalsAre you ready to look at your film and swallow the bitter rejection pill? 1.

3 weeks ago | raindance.org | Elliot Grove

In today’s rapidly shifting entertainment landscape, understanding generational cycles isn’t just insightful—it’s essential for survival. This is what I teach in my screenwriting classes. I grew up on a farm where the patterns of nature and of animal behaviour became meal-time conversation. Historical patterns reveal that generational dynamics shape crisis periods, influencing audience demand, content trends, and investment opportunities.

1 month ago | raindance.org | Elliot Grove

Hello from Planet Raindance – and the trials and traumas of indie film distribution. We know better than anyone that marketing and publicity costs a fortune. And without those marketing dollars, pounds or Euros, how can you expect anyone outside your immediate family to see your indie film. And even more importantly, how can you generate a bit of dosh to repay your investors? Without those big marketing bucks, how can you get the word out? The answer is simpler than you may think.