
Articles
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3 weeks ago |
worldofinteriors.com | Elly Parsons
We’re drinking espresso from tulip-shaped cups on an enveloping sofa in Osanna Visconti’s new atelier-cum-apartment in Milan. Dressed head to toe in hot pink, she twirls two chains of bronze through her fingers, while singing the praises of Zara Home – it’s where the cups come from, she tells me, as she moves to puff-up a sumptuous velvet cushion. She is a woman of wide-ranging tastes. She’s just moved in, and was delighted when the home became available.
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1 month ago |
worldofinteriors.com | Elly Parsons
Your eyes do not deceive you – there’s a person peeking from inside the embellishments of that tassel. The gloriously odd project is the brainchild of Penny Bendall, founder and CEO of The Creative Dimension Trust (TCDT), a charity that looks to enable young people, primarily from underserved backgrounds, to learn fine hand skills from leading global specialists, to inspire future careers.
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2 months ago |
worldofinteriors.com | Elly Parsons
Hands are one of the most repeated images in art history. From prehistoric prints found on rock formations; the unfurling, divine-spark digits on Michelangelo’s Sistine Chapel ceiling; the extended index in James Montgomery Flagg’s World War I recruitment poster; the cracking joints of Henry Moore’s drawings; the expressive gestures of the 1980s Harlem ballroom scene. An artistic movement can’t conclude without a new artist adding their handiwork.
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2 months ago |
worldofinteriors.com | Elly Parsons
From the life-size reimagining of a column from a historic colonnade in the 12th-century Qutub Minar complex in Delhi, to a contemporary interpretation of the felling of 6,700 ancient trees in Hanoi, the sources of inspiration behind the nominated works at this year’s Loewe Foundation Craft Prize are as mind-bogglingly wide-ranging as ever.
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2 months ago |
worldofinteriors.com | Elly Parsons
Beata Heuman’s joyful style might look effortless, but copycats would tell you its harder than it looks to achieve her fun-filled and expansive interiors. Thessaly La Force described her wide-ranging references in the October 2024 issue of WoI as ‘often toggling between an old-world sensibility and a new-world confidence’, and as Emily Tobin put it, ‘the fanciful and fantastical are serious business for Beata’.
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