
Elyssa Kostopoulos
Content Director at RUSSH
Journalism student at UTS. Passionate about writing and the evolving world of the fashion media industry.
Articles
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3 weeks ago |
russh.com | Elyssa Kostopoulos
In a move that both surprises and excites the fashion world, Dior has announced that Jonathan Anderson will now oversee its womenswear collections, in addition to his role as creative director of menswear. This news follows the recent departure of Maria Grazia Chiuri, who stepped down after a transformative nine-year tenure at the helm of Dior's women's lines.
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4 weeks ago |
russh.com | Elyssa Kostopoulos
It's no secret that Greek food is the flavour of the moment, and for good reason. In the last couple of years, it seems like every second opening – from fine dining restaurants to low-key sandwich shops – are celebrating the flavours of the Aegean. But with such an influx of new Greek restaurants taking over the city – and many ol' faithful institutions continuing to grow in demand – it can be hard to decipher which Greek restaurants in Sydney are actually worth visiting.
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1 month ago |
russh.com | Elyssa Kostopoulos
There’s something about the weight of memory – the way it settles into muscle, how it lingers in a room long after the final whistle. For photographer Ryan Brabazon, the Sydney Swans change room isn’t just a place of preparation and sweat-slick rituals – it’s a personal landscape. Once a player himself, Brabazon returns not as athlete, but as documentarian, camera in hand, attuned to the stillness between sprints.
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1 month ago |
russh.com | Elyssa Kostopoulos
Writers and friends Kavita Bedford and Amna Qureshi gave birth just one month apart in different continents. During early motherhood they found there was an overload of practical ‘how-to’ and 'what to buy’ information for expecting and new mothers, but neither could find a space for the conversations that they actually wanted to have that reflected their experiences as women of culturally diverse, creative backgrounds. They both had many questions.
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1 month ago |
russh.com | Elyssa Kostopoulos
Under the twilight sky of Avignon, where whispers of ancient performance still linger in the stone, Louis Vuitton returned fashion to its most primal form: theatre. For Cruise 2026, Nicolas Ghesquière transformed the Cour d’Honneur of the Palais des Papes into a living stage – a reverent nod to France’s architectural legacy and a stirring ode to the performance of dressing. This wasn’t just a runway show. It was a dramaturgy of silhouettes, light, and heritage.
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