
Articles
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1 week ago |
artcollector.net.au | Emily Riches
Words: Emily RichesIn a breakthrough for Australian art history, D’Lan Contemporary has confirmed that a painting by Papunya Tula pioneer Mick Namarari Tjapaltjarri is one of twenty works commissioned for Art of Aboriginal Australia – one of the first international exhibitions of contemporary Aboriginal art, held in 1974.
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1 week ago |
artcollector.net.au | Emily Riches
Words: Emily RichesBorn in Aotearoa/New Zealand, the accomplished Sydney-based painter Catherine Clayton-Smith has recently joined Olsen Gallery. Primarily working in acrylics on canvas, her delicate and deeply personal and psychological paintings offer an expanded engagement with landscape. With finely layered colour and sensuous gestures, her distinct approach to abstraction explores both memory and embodiment.
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1 week ago |
artcollector.net.au | Emily Riches
Words: Emily RichesMichael Reid Sydney + Berlin is now representating Sid Pattni, a Naarm/Melbourne-based artist whose work unpacks diasporic identity, memory and post-colonial aesthetics with profound visual impact. “I’m interested in how aesthetics shaped under empire can be reclaimed and reconfigured to tell new stories – stories about migration, memory and identity,” says Pattni.
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2 weeks ago |
artcollector.net.au | Emily Riches
Words: Emily RichesThe Art Gallery of New South Wales has announced Abdul Abdullah as the winner of the 2025 Packing Room Prize for his portrait No Mountain High Enough, depicting fellow artist and best friend Jason Phu. Now in its 34th year, the $3000 prize is awarded by the Gallery’s installation staff, who receive, unpack and hang all Archibald entries. “We were instantly drawn to Abdul Abdullah’s portrait of Jason Phu,” said Alexis Wildman, senior installation officer.
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3 weeks ago |
artcollector.net.au | Emily Riches
Words: Emily RichesHugo Michell Gallery has announced Fiona Roberts as the latest addition to its roster of represented artists. Known for her psychologically charged installations and ceramic works, Roberts explores the transience of the human experience, mortality and the rituals we create to protect ourselves.
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