Emma Garland

3 weeks ago | huckmag.com | Emma Garland

This column first featured in Huck’s culture newsletter. Sign up here to make sure it lands in your inbox every month. There’s a lot going on in the world at present. The UK is renegotiating its relationship with Europe post-Brexit, with the biggest points of contention being fishing (why always fishing?) and a youth mobility scheme that would allow 18-30-year-olds to travel and work more freely around the EU (yet another economic policy that tells millennials to go fuck themselves).

1 month ago | huckmag.com | Emma Garland

This column first featured in Huck’s culture newsletter. Sign up here to make sure it lands in your inbox every month. There is something very unsettling about knowing that Katy Perry has been to (the edge of) space.

2 months ago | vogue.co.uk | Emma Garland

I Know What You Did Last Summer (1997) is perhaps the most attractive slasher film ever made. Featuring a bumper brat pack cast made up of Sarah Michelle Gellar, Ryan Phillippe, Jennifer Love Hewitt and Freddie Prinze Jr – hamming it up as a beauty queen, buff quarterback, introspective nerd and working class aspiring writer, respectively – it became an instant teen horror classic.

Mar 18, 2025 | huckmag.com | Kyle MacNeill |Emma Garland |Isaac Muk |Dorrell Merritt

This Q+A was first featured in Huck’s culture newsletter. Sign up to the mailing list here to make sure it always lands in your inbox before anyone else sees it. Since Greentea Peng burst into the public consciousness with her 2019 single ‘Downers’, which introduced us to the distinctive nonchalant grit of her vocals, the singer-songwriter has dug out her own space in a crowded sonic field.

Mar 17, 2025 | huckmag.com | Kyle MacNeill |Emma Garland |Isaac Muk |Dorrell Merritt

Content warning: This article contains images that some readers may find distressing. In her 2003 essay, Regarding the Pain of Others, American writer Susan Sontag observed: “Ever since cameras were invented in 1839, photography has kept company with death.” The work – her final published book – considers more broadly the role of image-making in warfare, examining closely the part played by the person behind the camera, typically in scenes extreme in their horror.