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Emma Madden

Writer at Freelance

Featured in: Favicon bbc.co.uk Favicon msn.com Favicon theguardian.com Favicon nytimes.com Favicon independent.co.uk Favicon telegraph.co.uk Favicon bandcamp.com Favicon clarin.com Favicon ft.com Favicon vice.com (+2)

Articles

  • 5 days ago | vulture.com | Emma Madden

    In the early ’90s, Karlheinz Brandenburg was searching for a song with optimal humanity. As the creator of the MP3, his ideal test subject needed to be warm enough to challenge his highly refined compression algorithm.

  • 5 days ago | bbc.com | Emma Madden

    Eurovision 2025: The provocative Estonian pop song that has caused outrage in ItalyAlina PyazokOne of the most controversial entries in the Eurovision song contest is Espresso Macchiato by Estonia's Tommy Cash. It mocks Italian stereotypes, and there have been calls to ban it. The track by Estonian rapper and singer Tommy Cash is the country's entry into the 2025 Eurovision Song Contest, which takes place next week.

  • 5 days ago | bbc.co.uk | Emma Madden

    One of the most controversial entries in the Eurovision song contest is Espresso Macchiato by Estonia's Tommy Cash. It mocks Italian stereotypes, and there have been calls to ban it. The track by Estonian rapper and singer Tommy Cash is the country's entry into the 2025 Eurovision Song Contest, which takes place next week.

  • 1 week ago | revolvermag.com | Emma Madden

    What shakes Split Chain most? Success. And the torturous wait for it. It’s early February, and the guys have just returned home to Bristol, England, after wrapping their first-ever U.S. tour, supporting Silverstein and Thursday. Now, with the road behind them and the release of their debut album, motionblur, just months away, they’re stuck in an agonizing purgatory before their music finally reaches the world. So, what happens if motionblur actually takes off?

  • 1 week ago | pitchfork.com | Emma Madden

    On her fourth album, the ambient folk artist Satomimagae imagines a world without names, lines, or borders—anything that could distinguish one thing from an absolute whole. What we might call “leaves” on “trees” here are simply shades upon shades. Every difference is negated. Listening to it feels like waking up from anesthetic, an experience in which there is no delineation between self and other, inner and outer.

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