Articles

  • 1 month ago | businessandamerica.com | Emma Sarappo

    Abigail Hawkes earnestly dreams of disappearing. The teenage protagonist of Emily St. James’s new novel, Woodworking, can’t wait for the day when she can slip out of Mitchell, South Dakota, and make it to a big city like Chicago; once there, she imagines, she’ll shed her past and start over, and no one will know she’s transgender. Abigail has seen this vanishing act referred to as “woodworking” on the internet—picking up stakes, passing for cis, and fading into the woodwork.

  • 1 month ago | theatlantic.com | Emma Sarappo

    Abigail Hawkes earnestly dreams of disappearing. The teenage protagonist of Emily St. James’s new novel, Woodworking, can’t wait for the day when she can slip out of Mitchell, South Dakota, and make it to a big city like Chicago; once there, she imagines, she’ll shed her past and start over, and no one will know she’s transgender. Abigail has seen this vanishing act referred to as “woodworking” on the internet—picking up stakes, passing for cis, and fading into the woodwork.

  • 1 month ago | msn.com | Emma Sarappo

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  • 1 month ago | theatlantic.com | Emma Sarappo

    This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here. Sometimes a great book just doesn’t get its due, at least at first. As many readers may know, F. Scott Fitzgerald’s The Great Gatsby was initially published to a reception that ranged from lukewarm to scornful. Today, the book is considered a classic; The Atlantic selected it as one of the past century’s great American novels.

  • 2 months ago | msn.com | Emma Sarappo

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