
Eoghan Lyng
Music and Film Journalist at Freelance
Freelance Contributor at Far Out Magazine
Hello. Writer, English teacher, full time lover of life. Has read Joyce´s ´Ulysses´ on eight wonderful occasions.
Articles
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2 weeks ago |
dmovies.org | Eoghan Lyng
Heaven takes many forms across the spectrum of religions, but for Bolivian child Santa, it represents a region she and her mother can escape from a household scarred by abuse. Having ingested a yellow fish, the eight-year-old feels powerful enough to undergo a journey across land in the hope of uncovering this utopia. Driven by faith and love, the infant encounters quirky characters such as members of the police and priesthood, aiding her on this personal crusade.
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2 weeks ago |
dmovies.org | Eoghan Lyng
British non-binary singer-songwriter, musician, poet, performance and visual artist Genesis P-orridge was known for her confrontational work, even bringing terminal cancer into the act. She worked from the 1970s until her premature death five years ago. The title of the film in question acknowledges the many gender identities Genesis P-Orridge wore during their life/career.
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3 weeks ago |
spectrumculture.com | Eoghan Lyng
With their sophomore effort, Florida quartet Home Is Where have pivoted further from the realm of emo rock, and while Hunting Season doesn’t live up to the standard set by The Whaler, it showcases a group comfortably melding genres as far afield as country, psychedelic and pop with ease. With “Bike Week,” the quartet dial the clock back to a time when angst-ridden rock dominated the airwaves, as a collection of shrieks and disembodied hooks pulverize the backdrop.
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3 weeks ago |
popmatters.com | Eoghan Lyng
Life, Death & Dennis Hopper Sun Records Although the Waterboys‘ past efforts, This Is the Sea and Fisherman’s Blues, were underpinned by emotional undercurrents, Life, Death & Dennis Hopper goes one step further, concocting a conceptual album detailing the highs, lows, and smirks enjoyed by the eponymous actor.
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1 month ago |
dmovies.org | Eoghan Lyng
//=the_title();?> After catching all the films in the Un Certain Regard section of Cannes and more, Eoghan Lyng reveals this thoughts of the winners, and those who left empty-handed alike This was my second year at the Cannes Film Festival, and although the movies weren’t as diverse or interesting as they had been in 2024, there were enough dramatic moments that made it a more than worthwhile trip.
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