Eric Otieno Sumba

2 weeks ago | lrb.co.uk | Eric Otieno Sumba

Marie Nejar died last month at the age of 95. As far as the Initiative Schwarze Menschen in Deutschland (ISD) is aware, she was the last Black survivor of Nazi Germany. As she writes in her 2007 autobiography – whose German title, Mach nicht so traurige Augen weil du ein Negerlein bist (‘Don’t make such sad eyes because you are a little n*****’), is an indictment of German publishing then and now – Nejar was born in Mülheim an der Ruhr in 1930.

2 months ago | akweb.de | Eric Otieno Sumba

15. April 2025 |ak 714 | Kultur Der Essayfilm »Soundtrack to a Coup d’Etat« versucht, die Unabhängigkeit Kongos einzufangen und lässt wichtige Aspekte aus Von Eric Otieno Sumba Im Dezember 2024 beauftragte der Vatikan eine Kommission aus belgischen Archivaren und Historikern damit, die Tugenden des 1993 verstorbenen belgischen Königs Baudouin auszuwerten – für eine Seligsprechung.

Apr 14, 2024 | frieze.com | Eric Otieno Sumba

There is no hardship – social, political or otherwise – that a good photograph of Africans in the 1970s cannot gloss over. Many of these images – whether black and white or full colour, posted online or nestled in a leather-bound family album – seem to advance the same overarching narrative: life in 1970s Africa was incredibly self-assured, and the influence of art and culture palpable.

Mar 3, 2024 | frieze.com | Eric Otieno Sumba

This article appears in the columns section of frieze 241, ‘Outer Depths’There is an impressive range to the frameworks Dominique White uses to engage with bodies of water. There is the nautical Afrofuturism of Detroit-based techno duo Drexciya (Gerald Donald and James Stinson). Another is Duke University Press, specifically the Black, feminist or nihilist thinkers on their roster such as Katherine McKittrick, Christina Sharpe and Calvin L. Warren.