Erica Jeal's profile photo

Erica Jeal

London

Music Critic at The Guardian

Deputy Editor at Opera Canada

Guardian music critic, Deputy Editor of Opera.

Articles

  • 2 weeks ago | theguardian.com | Erica Jeal

    JS Bach’s Goldberg Variations is a work many pianists put on the back burner for years, waiting until they feel their interpretation has matured before showing it to the world. Not so for Yunchan Lim, who turned 21 a couple of weeks ago in between giving concerts of the Goldbergs in the US. Maturity and youth collided intriguingly in this hot-ticket performance, his first of the work in the UK.

  • 3 weeks ago | msn.com | Erica Jeal

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

  • 4 weeks ago | theguardian.com | Erica Jeal

    This release can only scratch the surface of the output of Errollyn Wallen, appointed Master of the King’s Music last summer, but it does demonstrate the eclecticism of her work. The pieces date from 2000 to 2023; all share a strong sense of momentum in these performances by the BBC Concert Orchestra and conductor John Andrews.

  • 4 weeks ago | theguardian.com | Erica Jeal

    Florence Price’s Piano Quintet in A minor, composed in the mid-1930s, is yet another gem from the treasure trove of forgotten Price manuscripts discovered in 2009. The premiere recording was released by the Kaleidoscope Chamber Collective only four years ago, but this new one, by the chamber-music dream team of the Takács Quartet and pianist Marc-André Hamelin, offers a different slant, placing the work more firmly in the classical tradition of the Dvořák with which it is paired.

  • 4 weeks ago | theguardian.com | Erica Jeal

    String players wielding baroque bows don’t often share the stage with a pianist sat at a modern Steinway grand, but that was the setup for this immersion in JS Bach’s keyboard concertos – six of them, performed by the pianist Alexandros Kapelis and the Berliner Barock Solisten. Formed of players moonlighting from the Berlin Philharmonic, the Solisten play on modern instruments but in historically informed style – hence those bows.

Try JournoFinder For Free

Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.

Start Your 7-Day Free Trial →

Coverage map

X (formerly Twitter)

Followers
1K
Tweets
578
DMs Open
No
Erica Jeal
Erica Jeal @ericajeal
17 May 24

RT @ElizAthertonSop: PROTEST #SaveOurWNO 🎶 Tuesday, 21st May at 1pm Senedd, Cardiff Bay An invitation from the #Orchestra & #Chorus of @We…

Erica Jeal
Erica Jeal @ericajeal
2 Mar 24

Can’t stop thinking of @pilot_theatre’s Song for Ella Grey, which I saw last night at @TheatrePeckham . A beautiful and moving play.

Erica Jeal
Erica Jeal @ericajeal
24 Mar 23

RT @GdnClassical: Britain’s art institutions face death by a thousand cuts. Why are they just putting up with it? | Charlotte Higgins https…