
Articles
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1 month ago |
hyperallergic.com | Hrag Vartanian |Natalie Haddad |Faye Hirsch |Julia Curl
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. If art both reflects and critique the world around us, there’s more than enough to say at the moment — and plenty of art that can provide some insight.
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1 month ago |
hyperallergic.com | Faye Hirsch
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. The title of Judith Linhares’s current exhibition at PPOW Gallery, , consists of the 12th stanza of Wallace Stevens’s poem “Thirteen Ways of Looking at a Blackbird” (1917). Together, the two short sentences imply, on the one hand, what we observe and, on the other, what we surmise and imagine: “The river moves.
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Nov 12, 2024 |
hyperallergic.com | Faye Hirsch
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider supporting us as a member. Join Us Accuse not Nature; she hath done her part;Do thou but thine.
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Oct 14, 2024 |
hyperallergic.com | Faye Hirsch
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider supporting us as a member. Join Us LOS ANGELES — Aliza Nisenbaum’s current exhibition at Regen Projects, her first with the gallery, extends her career-long project of depicting the denizens of Latino and other micro-communities at home and at work — in this case, the city’s dance troupes.
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Mar 27, 2024 |
artnews.com | Faye Hirsch
“I want to be effective in this time in which people are so perplexed and in need of help.” Käthe Kollwitz wrote in her diary toward the end of 1922. She had just completed “War,” a series of seven woodcuts expressing what she saw as the deluded fervor and emotional scars of the recent European war. In 1920s Germany, that disaster, with its tragic consequences, was a subject on everyone’s mind.
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