
Fergal Kinney
Music and Culture Writer at Freelance
Music and Culture Writer at The Face
Music and Culture Writer at The Guardian
Culture Editor of Tribune (also writer for The Guardian, The New Statesman, The Quietus, The Face, Jacobin & more.)
Articles
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1 week ago |
msn.com | Fergal Kinney
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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1 week ago |
tribunemag.co.uk | Fergal Kinney
When John Lennon was murdered on Manhattan’s Upper West Side in December 1980, it was a tragedy that took place in that strange winter hinterland between the defeat of a Democratic presidential candidate and the inauguration of a Republican one. Ronald Reagan had just won a landslide victory over the beleaguered incumbent Jimmy Carter, whose 1977 inauguration Lennon and Ono had attended.
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3 weeks ago |
thequietus.com | John Doran |Fergal Kinney
What do you do when the most exhilarating moment of your musical life has already risen and fallen by the time that you are just fourteen? For Jack Bowes, the electronic producer who operates under the name of Rainy Miller, this was the explosion of mid-00s grime in the Lancashire city of Preston. “Fifteen years down the line,” he says, eyes looking away and still visibly awed at the memory, “I’m still like, that’s the sickest thing that’s ever happened in my entire life.” It was, he says, insane.
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1 month ago |
newstatesman.com | Fergal Kinney
When King Charles III was born on 14th November 1948, charts were still compiled from sales of sheet music – as they had been since the late 19th century. Top of the pops that week was So Tired by US bandleader Russ Morgan and Orchestra. The song, also released at the time on heavy and brittle shellac, had held the top spot for the previous six weeks. Its title was an apt summary of Britain in the immediate post-war era where tastes, like the footsteps in the nation’s dance halls, shuffled slowly.
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2 months ago |
newstatesman.com | Fergal Kinney
Exhausted fulfilment centre workers. Self-loathing civil servants. Medieval peasant soldiers. Attendees of a future museum of extinct human life. Drunken teens on a secondary-school trip. Joggers combating anxiety. In the decade since his breakthrough with his 2014 album Nothing Important, the songs of the iconoclastic Newcastle singer-songwriter Richard Dawson have observed life in England from now dozens of vantage points. Do not let it be said that he lacks perspective.
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