
Francesca Sobande
Writer at Freelance
Writer + reader in digital media studies. Dreaming. ✨🌑✨ @gem_collective
Articles
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1 week ago |
tolerance.ca | Francesca Sobande
© 2025 Tolerance.ca® Inc. All reproduction rights reserved. All information reproduced on the Web pages of www.tolerance.ca (including articles, images, photographs, and logos) is protected by intellectual property rights owned by Tolerance.ca® Inc. or, in certain cases, by its author. Any reproduction of the information for use other than personal use is prohibited.
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1 week ago |
theconversation.com | Francesca Sobande
Black women’s influence on metal and connected sub-genres is still often overlooked. As part of my research into Black women in pop culture, I’ve looked at the relationship between race, gender, onscreen portrayals of immortality and nu-metal. Nu-metal, popularised in the early 2000s, is known for combining the mood of metal with riffs and hues of rap and hip-hop. The genre drew on the creativity of Black artists, singers and musicians across different genres and generations.
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Feb 10, 2025 |
lse.ac.uk | Anamik Saha |Francesca Sobande
LSE Player is home to the latest films and podcasts from the London School of Economics and Political Science. Here you can watch videos on cutting edge research, find the award-winning LSE IQ podcast, and listen to more than 5,000 public event recordings featuring some of the world’s leading thinkers.
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Oct 28, 2024 |
tolerance.ca | Francesca Sobande
© 2024 Tolerance.ca® Inc. All reproduction rights reserved. All information reproduced on the Web pages of www.tolerance.ca (including articles, images, photographs, and logos) is protected by intellectual property rights owned by Tolerance.ca® Inc. or, in certain cases, by its author. Any reproduction of the information for use other than personal use is prohibited.
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Oct 28, 2024 |
theconversation.com | Francesca Sobande
An emo music retrospective has been a long time coming. There has been extensive work before now to archive and celebrate the cultural memory of this 2004-09 scene, whose name is short for emotional hardcore, but rarely has it been the sole focus of a public exhibition in the UK. Located at the Barbican Music Library in London, I’m Not Okay: An Emo Retrospective by the Museum of Youth Culture offers an inviting mix of nostalgia and dynamic documentation.
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