Franco Milazzo's profile photo

Franco Milazzo

London

Stage Critic and Writer at Freelance

Writer at BroadwayWorld

"A man with an encyclopedic knowledge of the city’s underground culture." @thedailybeast

Articles

  • 1 week ago | broadwayworld.com | Franco Milazzo

    Somewhere in a parallel dimension, there’s a version of Melissa Madden Gray that became an internationally renowned singer, as comfortable in French, Italian and German as English. In another one, she finds herself an in-demand circus clown able to bring the house down with her wickedly funny cocktail of sardonic facial expressions, physical antics and perfect timing.

  • 1 week ago | broadwayworld.com | Franco Milazzo

    Strange as it may seem, there was a time when there were such people as burlesque critics. I should know: I was one. When I wasn't reviewing shows around London, I was jet-setting off to Milan, Brighton or Hebden Bridge to help judge festival contests there. At some point, the burlesque community were kind enough to vote for me as one of the best burlesque writers in the world. Now I feel like I’m the last of a dying breed - but one who sees a new hope for the future of this art form.

  • 2 weeks ago | broadwayworld.com | Franco Milazzo

    In this latest revival of Krapp’s Last Tape at the Barbican Centre, it is the silence that speaks the loudest. At times, it’s practically deafening. Directed by Vicky Featherstone and starring Stephen Rea, this one-hander from Samuel Beckett sees an old man looking back at his life through the tapes he makes on his birthday.

  • 2 weeks ago | broadwayworld.com | Franco Milazzo

    "If you're playing a poker game and you look around the table and can't tell who the sucker is, it's you." In Patrick Marber’s Dealer’s Choice (revived at Donmar Warehouse on its 30th anniversary), it is increasingly hard to tell who around the table isn’t a sucker. Every week, restaurant owner Stephen, his employees (waiters Mugsy and Frankie and chef Sweeney) and his son Carl walk down into the basement for a game of Texas Hold ‘Em. Or Omaha.

  • 2 weeks ago | theatre-news.com | Franco Milazzo

    In a story that is a hearty homage to Chekhov, Conor McPherson sits us down inside a family drama set in 1980s Ireland. Within a farmhouse kitchen, we meet two of the three McFadden siblings and the wife of the other. Billie (Rosie Sheehy) is a straight-talking obsessive who will talk about train timetables until the cows come home while her brother Stephen (Brian Gleeson) potters about checking that their cows do come home and get milked.

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Franco Milazzo
Franco Milazzo @eyetie
21 Apr 25

What's that? A new musical has opened in dear old London town? Quick - get the bunting out someone. https://t.co/29xC5mxEtS

Franco Milazzo
Franco Milazzo @eyetie
20 Apr 25

Judas: The one I kiss is Jesus Christ. Soldier: You can just point to him. Judas: (putting on lip-balm) I don't tell you how to do your job. #BuonaPasqua to all who celebrate.

Franco Milazzo
Franco Milazzo @eyetie
19 Apr 25

RT @gallycab: not just a cabaret, we've got more plot-lines than your average Moffat finale thanks Kate for dropping in x https://t.co/aQ…