Frank Rizzo
Freelance Arts Writer at Freelance
Theater writer credits: Variety, Hartford Courant, New York Times, American Theatre, Playbill, Theatre Development Fund, Hearst newspapers of CT, FOX/CT
Articles
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3 weeks ago |
ctinsider.com | Frank Rizzo
An old farmer is alone in the middle of an open field late at night and he is weeping. New Haven playwright Donald Margulies envisioned such a scene. "I didn't know why that image came to me," he said. "I thought this image was really interesting to me and I wanted to know why this man was crying."That led to Margulies writing the opening scene of what was to become his new play, " Lunar Eclipse, " which opens May 14 for off-Broadway's Second Stage at Signature Theatre.
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1 month ago |
ctinsider.com | Frank Rizzo
Julie Averbach remembers looking at a box of Caesar Salad at Trader Joe's and on the label was a picture of Augustus of Prima Porta, a famous sculpture carved of the Roman emperor, which she recognized from her art history classes at Yale. It was her "eureka" moment, as she gazed around the store and began to take in other arts references on its product packaging, handmade sale signs, newsletters, shopping bags and - well, everything.
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1 month ago |
variety.com | Frank Rizzo
The Latina seamstresses at a dressmaking workshop in East L.A. express their credo at the top of the new musical “Real Women Have Curves.” With the pulsating song “Make It Work” these women sing about how — despite their burdens and obstacles — this community of hardworking immigrant women manage to create a vibrant life.
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1 month ago |
variety.com | Frank Rizzo |Gordon Cox
Unlike the mobile British corpse in “Operation Mincemeat,” the traveling American cadaver in the Broadway musical “Dead Outlaw” has a far less noble posthumous purpose than winning World War II. This stiff just wants a little space in the spotlight — but how he finally achieves celebrity is not exactly what he had in mind. On the surface, “Dead Outlaw” is a boisterous and wildly entertaining show that should attract young audiences who like their entertainment bold, bracing and outrageous.
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1 month ago |
variety.com | Frank Rizzo
With the Broadway arrival of “Stranger Things: The First Shadow,” a stage prequel to the popular Netflix series, comes the question: Will this stand-alone tale appeal — and then satisfy — audiences beyond its fan base? The answer will depend on whether one’s love of spectacular effects — of which there are many — trumps other essential elements for great theatrical storytelling.
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A grand entrance of endless stairs at Perelman Performing Arts Center that says “we don’t care about you” to handicapped and elderly, with elevators off pretty anonymously to the side .@pac_nyc @NYCArts
Half a cup of stale nuts at Perelman Performing Arts Center in nyc. Well we certainly know now who it’s meant to serve: stale rich people .@pac_nyc https://t.co/1K1nobKXCH